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Read the passage and answer the question given below.Scandals involving authors of memoirs have raised questions about how much artistic license should be allowed in a purported work of nonfiction. By definition, nonfiction works are about facts and real events, but perception of real events can vary greatly depending on the point of view of the writer, especially an author recounting personal experience in the form of a memoir. Consideration of the reaction to two specific incidents involving narrative memoirs that were later proven to be largely, or wholly, untrue shows how much the repercussions can vary when the fallacies are revealed.In 2008, writer Margaret Seltzer decided that the story of a mixed ethnicity, Native American foster child trying to survive the gang culture of South Central Los Angeles was a story that needed to be told. Unfortunately, she chose to recount that story in the form of a memoir, adopting the pseudonym Margaret B. Jones so that she could not readily be identified, to tell the tale in her book Love and Consequences. When it was revealed, by her sister, that she was actually white and grew up in a wealthy suburb of Los Angeles, Seltzer claimed that her desire was to give voice to legitimate concerns that were going unheard. This claim, though, ran counter to the persona she adopted for radio interviews while promoting the memoir, during which she chose to use a vernacular and carry herself in a way that she thought would lend authenticity to her story. In doing so, she did a disservice to those whose experiences she had appropriated, and within a week she suffered the consequences: all copies of the book were recalled by the publisher, and Seltzer has not had any published works since that time.Prior to Seltzer, author James Frey had also experienced the highs and lows of writing a successful memoir that was not completely based in fact. Be-fore his tale of the dark depths of addiction and the winding road to recovery, A Million Little Pieces, landed him at the top of The New York Times best-seller list for fifteen weeks in 2005, Frey and his editors notions of what should be considered a memoir were quite loose. Everything came tumbling down when Freys book was exposed as containing a number of fabrications, and just as quickly as Frey rose to prominence, he became a media pariah. Frey claimed that he had never represented A Million Little Pieces as anything other than a memoir and that his embellishment of events was within the bounds of what is considered acceptable as a memoir within the literary world. His time in the media spotlight tends to belie his claim, as it saw him embrace the fraudulent persona he had created for himself in his book. In recent years, the view of the publishing world and the media toward Frey has softened, and he later returned to the best-seller list with his fictional work, Bright Shiny Morning.Q. The primary purpose of the passage is toa)criticize the consequences of the memoir genre being defined so looselyb)cast doubt on the effectiveness of the repercussions faced by Seltzer and Freyc)argue that both Seltzer and Frey were treated unfairly by the mediad)discuss the consequences to authors when memoirs are proven to be falsee)debate whether artistic license outweighs commitment to facts within the memoir genreCorrect answer is option 'D'. Can you explain this answer? for GMAT 2024 is part of GMAT preparation. The Question and answers have been prepared according to the GMAT exam syllabus. Information about Read the passage and answer the question given below.Scandals involving authors of memoirs have raised questions about how much artistic license should be allowed in a purported work of nonfiction. By definition, nonfiction works are about facts and real events, but perception of real events can vary greatly depending on the point of view of the writer, especially an author recounting personal experience in the form of a memoir. Consideration of the reaction to two specific incidents involving narrative memoirs that were later proven to be largely, or wholly, untrue shows how much the repercussions can vary when the fallacies are revealed.In 2008, writer Margaret Seltzer decided that the story of a mixed ethnicity, Native American foster child trying to survive the gang culture of South Central Los Angeles was a story that needed to be told. Unfortunately, she chose to recount that story in the form of a memoir, adopting the pseudonym Margaret B. Jones so that she could not readily be identified, to tell the tale in her book Love and Consequences. When it was revealed, by her sister, that she was actually white and grew up in a wealthy suburb of Los Angeles, Seltzer claimed that her desire was to give voice to legitimate concerns that were going unheard. This claim, though, ran counter to the persona she adopted for radio interviews while promoting the memoir, during which she chose to use a vernacular and carry herself in a way that she thought would lend authenticity to her story. In doing so, she did a disservice to those whose experiences she had appropriated, and within a week she suffered the consequences: all copies of the book were recalled by the publisher, and Seltzer has not had any published works since that time.Prior to Seltzer, author James Frey had also experienced the highs and lows of writing a successful memoir that was not completely based in fact. Be-fore his tale of the dark depths of addiction and the winding road to recovery, A Million Little Pieces, landed him at the top of The New York Times best-seller list for fifteen weeks in 2005, Frey and his editors notions of what should be considered a memoir were quite loose. Everything came tumbling down when Freys book was exposed as containing a number of fabrications, and just as quickly as Frey rose to prominence, he became a media pariah. Frey claimed that he had never represented A Million Little Pieces as anything other than a memoir and that his embellishment of events was within the bounds of what is considered acceptable as a memoir within the literary world. His time in the media spotlight tends to belie his claim, as it saw him embrace the fraudulent persona he had created for himself in his book. In recent years, the view of the publishing world and the media toward Frey has softened, and he later returned to the best-seller list with his fictional work, Bright Shiny Morning.Q. The primary purpose of the passage is toa)criticize the consequences of the memoir genre being defined so looselyb)cast doubt on the effectiveness of the repercussions faced by Seltzer and Freyc)argue that both Seltzer and Frey were treated unfairly by the mediad)discuss the consequences to authors when memoirs are proven to be falsee)debate whether artistic license outweighs commitment to facts within the memoir genreCorrect answer is option 'D'. Can you explain this answer? covers all topics & solutions for GMAT 2024 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Read the passage and answer the question given below.Scandals involving authors of memoirs have raised questions about how much artistic license should be allowed in a purported work of nonfiction. By definition, nonfiction works are about facts and real events, but perception of real events can vary greatly depending on the point of view of the writer, especially an author recounting personal experience in the form of a memoir. Consideration of the reaction to two specific incidents involving narrative memoirs that were later proven to be largely, or wholly, untrue shows how much the repercussions can vary when the fallacies are revealed.In 2008, writer Margaret Seltzer decided that the story of a mixed ethnicity, Native American foster child trying to survive the gang culture of South Central Los Angeles was a story that needed to be told. Unfortunately, she chose to recount that story in the form of a memoir, adopting the pseudonym Margaret B. Jones so that she could not readily be identified, to tell the tale in her book Love and Consequences. When it was revealed, by her sister, that she was actually white and grew up in a wealthy suburb of Los Angeles, Seltzer claimed that her desire was to give voice to legitimate concerns that were going unheard. This claim, though, ran counter to the persona she adopted for radio interviews while promoting the memoir, during which she chose to use a vernacular and carry herself in a way that she thought would lend authenticity to her story. In doing so, she did a disservice to those whose experiences she had appropriated, and within a week she suffered the consequences: all copies of the book were recalled by the publisher, and Seltzer has not had any published works since that time.Prior to Seltzer, author James Frey had also experienced the highs and lows of writing a successful memoir that was not completely based in fact. Be-fore his tale of the dark depths of addiction and the winding road to recovery, A Million Little Pieces, landed him at the top of The New York Times best-seller list for fifteen weeks in 2005, Frey and his editors notions of what should be considered a memoir were quite loose. Everything came tumbling down when Freys book was exposed as containing a number of fabrications, and just as quickly as Frey rose to prominence, he became a media pariah. Frey claimed that he had never represented A Million Little Pieces as anything other than a memoir and that his embellishment of events was within the bounds of what is considered acceptable as a memoir within the literary world. His time in the media spotlight tends to belie his claim, as it saw him embrace the fraudulent persona he had created for himself in his book. In recent years, the view of the publishing world and the media toward Frey has softened, and he later returned to the best-seller list with his fictional work, Bright Shiny Morning.Q. The primary purpose of the passage is toa)criticize the consequences of the memoir genre being defined so looselyb)cast doubt on the effectiveness of the repercussions faced by Seltzer and Freyc)argue that both Seltzer and Frey were treated unfairly by the mediad)discuss the consequences to authors when memoirs are proven to be falsee)debate whether artistic license outweighs commitment to facts within the memoir genreCorrect answer is option 'D'. Can you explain this answer?.

Solutions for Read the passage and answer the question given below.Scandals involving authors of memoirs have raised questions about how much artistic license should be allowed in a purported work of nonfiction. By definition, nonfiction works are about facts and real events, but perception of real events can vary greatly depending on the point of view of the writer, especially an author recounting personal experience in the form of a memoir. Consideration of the reaction to two specific incidents involving narrative memoirs that were later proven to be largely, or wholly, untrue shows how much the repercussions can vary when the fallacies are revealed.In 2008, writer Margaret Seltzer decided that the story of a mixed ethnicity, Native American foster child trying to survive the gang culture of South Central Los Angeles was a story that needed to be told. Unfortunately, she chose to recount that story in the form of a memoir, adopting the pseudonym Margaret B. Jones so that she could not readily be identified, to tell the tale in her book Love and Consequences. When it was revealed, by her sister, that she was actually white and grew up in a wealthy suburb of Los Angeles, Seltzer claimed that her desire was to give voice to legitimate concerns that were going unheard. This claim, though, ran counter to the persona she adopted for radio interviews while promoting the memoir, during which she chose to use a vernacular and carry herself in a way that she thought would lend authenticity to her story. In doing so, she did a disservice to those whose experiences she had appropriated, and within a week she suffered the consequences: all copies of the book were recalled by the publisher, and Seltzer has not had any published works since that time.Prior to Seltzer, author James Frey had also experienced the highs and lows of writing a successful memoir that was not completely based in fact. Be-fore his tale of the dark depths of addiction and the winding road to recovery, A Million Little Pieces, landed him at the top of The New York Times best-seller list for fifteen weeks in 2005, Frey and his editors notions of what should be considered a memoir were quite loose. Everything came tumbling down when Freys book was exposed as containing a number of fabrications, and just as quickly as Frey rose to prominence, he became a media pariah. Frey claimed that he had never represented A Million Little Pieces as anything other than a memoir and that his embellishment of events was within the bounds of what is considered acceptable as a memoir within the literary world. His time in the media spotlight tends to belie his claim, as it saw him embrace the fraudulent persona he had created for himself in his book. In recent years, the view of the publishing world and the media toward Frey has softened, and he later returned to the best-seller list with his fictional work, Bright Shiny Morning.Q. The primary purpose of the passage is toa)criticize the consequences of the memoir genre being defined so looselyb)cast doubt on the effectiveness of the repercussions faced by Seltzer and Freyc)argue that both Seltzer and Frey were treated unfairly by the mediad)discuss the consequences to authors when memoirs are proven to be falsee)debate whether artistic license outweighs commitment to facts within the memoir genreCorrect answer is option 'D'. Can you explain this answer? in English & in Hindi are available as part of our courses for GMAT. Download more important topics, notes, lectures and mock test series for GMAT Exam by signing up for free.

Here you can find the meaning of Read the passage and answer the question given below.Scandals involving authors of memoirs have raised questions about how much artistic license should be allowed in a purported work of nonfiction. By definition, nonfiction works are about facts and real events, but perception of real events can vary greatly depending on the point of view of the writer, especially an author recounting personal experience in the form of a memoir. Consideration of the reaction to two specific incidents involving narrative memoirs that were later proven to be largely, or wholly, untrue shows how much the repercussions can vary when the fallacies are revealed.In 2008, writer Margaret Seltzer decided that the story of a mixed ethnicity, Native American foster child trying to survive the gang culture of South Central Los Angeles was a story that needed to be told. Unfortunately, she chose to recount that story in the form of a memoir, adopting the pseudonym Margaret B. Jones so that she could not readily be identified, to tell the tale in her book Love and Consequences. When it was revealed, by her sister, that she was actually white and grew up in a wealthy suburb of Los Angeles, Seltzer claimed that her desire was to give voice to legitimate concerns that were going unheard. This claim, though, ran counter to the persona she adopted for radio interviews while promoting the memoir, during which she chose to use a vernacular and carry herself in a way that she thought would lend authenticity to her story. In doing so, she did a disservice to those whose experiences she had appropriated, and within a week she suffered the consequences: all copies of the book were recalled by the publisher, and Seltzer has not had any published works since that time.Prior to Seltzer, author James Frey had also experienced the highs and lows of writing a successful memoir that was not completely based in fact. Be-fore his tale of the dark depths of addiction and the winding road to recovery, A Million Little Pieces, landed him at the top of The New York Times best-seller list for fifteen weeks in 2005, Frey and his editors notions of what should be considered a memoir were quite loose. Everything came tumbling down when Freys book was exposed as containing a number of fabrications, and just as quickly as Frey rose to prominence, he became a media pariah. Frey claimed that he had never represented A Million Little Pieces as anything other than a memoir and that his embellishment of events was within the bounds of what is considered acceptable as a memoir within the literary world. His time in the media spotlight tends to belie his claim, as it saw him embrace the fraudulent persona he had created for himself in his book. In recent years, the view of the publishing world and the media toward Frey has softened, and he later returned to the best-seller list with his fictional work, Bright Shiny Morning.Q. The primary purpose of the passage is toa)criticize the consequences of the memoir genre being defined so looselyb)cast doubt on the effectiveness of the repercussions faced by Seltzer and Freyc)argue that both Seltzer and Frey were treated unfairly by the mediad)discuss the consequences to authors when memoirs are proven to be falsee)debate whether artistic license outweighs commitment to facts within the memoir genreCorrect answer is option 'D'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Read the passage and answer the question given below.Scandals involving authors of memoirs have raised questions about how much artistic license should be allowed in a purported work of nonfiction. By definition, nonfiction works are about facts and real events, but perception of real events can vary greatly depending on the point of view of the writer, especially an author recounting personal experience in the form of a memoir. Consideration of the reaction to two specific incidents involving narrative memoirs that were later proven to be largely, or wholly, untrue shows how much the repercussions can vary when the fallacies are revealed.In 2008, writer Margaret Seltzer decided that the story of a mixed ethnicity, Native American foster child trying to survive the gang culture of South Central Los Angeles was a story that needed to be told. Unfortunately, she chose to recount that story in the form of a memoir, adopting the pseudonym Margaret B. Jones so that she could not readily be identified, to tell the tale in her book Love and Consequences. When it was revealed, by her sister, that she was actually white and grew up in a wealthy suburb of Los Angeles, Seltzer claimed that her desire was to give voice to legitimate concerns that were going unheard. This claim, though, ran counter to the persona she adopted for radio interviews while promoting the memoir, during which she chose to use a vernacular and carry herself in a way that she thought would lend authenticity to her story. In doing so, she did a disservice to those whose experiences she had appropriated, and within a week she suffered the consequences: all copies of the book were recalled by the publisher, and Seltzer has not had any published works since that time.Prior to Seltzer, author James Frey had also experienced the highs and lows of writing a successful memoir that was not completely based in fact. Be-fore his tale of the dark depths of addiction and the winding road to recovery, A Million Little Pieces, landed him at the top of The New York Times best-seller list for fifteen weeks in 2005, Frey and his editors notions of what should be considered a memoir were quite loose. Everything came tumbling down when Freys book was exposed as containing a number of fabrications, and just as quickly as Frey rose to prominence, he became a media pariah. Frey claimed that he had never represented A Million Little Pieces as anything other than a memoir and that his embellishment of events was within the bounds of what is considered acceptable as a memoir within the literary world. His time in the media spotlight tends to belie his claim, as it saw him embrace the fraudulent persona he had created for himself in his book. In recent years, the view of the publishing world and the media toward Frey has softened, and he later returned to the best-seller list with his fictional work, Bright Shiny Morning.Q. The primary purpose of the passage is toa)criticize the consequences of the memoir genre being defined so looselyb)cast doubt on the effectiveness of the repercussions faced by Seltzer and Freyc)argue that both Seltzer and Frey were treated unfairly by the mediad)discuss the consequences to authors when memoirs are proven to be falsee)debate whether artistic license outweighs commitment to facts within the memoir genreCorrect answer is option 'D'. Can you explain this answer?, a detailed solution for Read the passage and answer the question given below.Scandals involving authors of memoirs have raised questions about how much artistic license should be allowed in a purported work of nonfiction. By definition, nonfiction works are about facts and real events, but perception of real events can vary greatly depending on the point of view of the writer, especially an author recounting personal experience in the form of a memoir. Consideration of the reaction to two specific incidents involving narrative memoirs that were later proven to be largely, or wholly, untrue shows how much the repercussions can vary when the fallacies are revealed.In 2008, writer Margaret Seltzer decided that the story of a mixed ethnicity, Native American foster child trying to survive the gang culture of South Central Los Angeles was a story that needed to be told. Unfortunately, she chose to recount that story in the form of a memoir, adopting the pseudonym Margaret B. Jones so that she could not readily be identified, to tell the tale in her book Love and Consequences. When it was revealed, by her sister, that she was actually white and grew up in a wealthy suburb of Los Angeles, Seltzer claimed that her desire was to give voice to legitimate concerns that were going unheard. This claim, though, ran counter to the persona she adopted for radio interviews while promoting the memoir, during which she chose to use a vernacular and carry herself in a way that she thought would lend authenticity to her story. In doing so, she did a disservice to those whose experiences she had appropriated, and within a week she suffered the consequences: all copies of the book were recalled by the publisher, and Seltzer has not had any published works since that time.Prior to Seltzer, author James Frey had also experienced the highs and lows of writing a successful memoir that was not completely based in fact. Be-fore his tale of the dark depths of addiction and the winding road to recovery, A Million Little Pieces, landed him at the top of The New York Times best-seller list for fifteen weeks in 2005, Frey and his editors notions of what should be considered a memoir were quite loose. Everything came tumbling down when Freys book was exposed as containing a number of fabrications, and just as quickly as Frey rose to prominence, he became a media pariah. Frey claimed that he had never represented A Million Little Pieces as anything other than a memoir and that his embellishment of events was within the bounds of what is considered acceptable as a memoir within the literary world. His time in the media spotlight tends to belie his claim, as it saw him embrace the fraudulent persona he had created for himself in his book. In recent years, the view of the publishing world and the media toward Frey has softened, and he later returned to the best-seller list with his fictional work, Bright Shiny Morning.Q. The primary purpose of the passage is toa)criticize the consequences of the memoir genre being defined so looselyb)cast doubt on the effectiveness of the repercussions faced by Seltzer and Freyc)argue that both Seltzer and Frey were treated unfairly by the mediad)discuss the consequences to authors when memoirs are proven to be falsee)debate whether artistic license outweighs commitment to facts within the memoir genreCorrect answer is option 'D'. Can you explain this answer? has been provided alongside types of Read the passage and answer the question given below.Scandals involving authors of memoirs have raised questions about how much artistic license should be allowed in a purported work of nonfiction. By definition, nonfiction works are about facts and real events, but perception of real events can vary greatly depending on the point of view of the writer, especially an author recounting personal experience in the form of a memoir. Consideration of the reaction to two specific incidents involving narrative memoirs that were later proven to be largely, or wholly, untrue shows how much the repercussions can vary when the fallacies are revealed.In 2008, writer Margaret Seltzer decided that the story of a mixed ethnicity, Native American foster child trying to survive the gang culture of South Central Los Angeles was a story that needed to be told. Unfortunately, she chose to recount that story in the form of a memoir, adopting the pseudonym Margaret B. Jones so that she could not readily be identified, to tell the tale in her book Love and Consequences. When it was revealed, by her sister, that she was actually white and grew up in a wealthy suburb of Los Angeles, Seltzer claimed that her desire was to give voice to legitimate concerns that were going unheard. This claim, though, ran counter to the persona she adopted for radio interviews while promoting the memoir, during which she chose to use a vernacular and carry herself in a way that she thought would lend authenticity to her story. In doing so, she did a disservice to those whose experiences she had appropriated, and within a week she suffered the consequences: all copies of the book were recalled by the publisher, and Seltzer has not had any published works since that time.Prior to Seltzer, author James Frey had also experienced the highs and lows of writing a successful memoir that was not completely based in fact. Be-fore his tale of the dark depths of addiction and the winding road to recovery, A Million Little Pieces, landed him at the top of The New York Times best-seller list for fifteen weeks in 2005, Frey and his editors notions of what should be considered a memoir were quite loose. Everything came tumbling down when Freys book was exposed as containing a number of fabrications, and just as quickly as Frey rose to prominence, he became a media pariah. Frey claimed that he had never represented A Million Little Pieces as anything other than a memoir and that his embellishment of events was within the bounds of what is considered acceptable as a memoir within the literary world. His time in the media spotlight tends to belie his claim, as it saw him embrace the fraudulent persona he had created for himself in his book. In recent years, the view of the publishing world and the media toward Frey has softened, and he later returned to the best-seller list with his fictional work, Bright Shiny Morning.Q. The primary purpose of the passage is toa)criticize the consequences of the memoir genre being defined so looselyb)cast doubt on the effectiveness of the repercussions faced by Seltzer and Freyc)argue that both Seltzer and Frey were treated unfairly by the mediad)discuss the consequences to authors when memoirs are proven to be falsee)debate whether artistic license outweighs commitment to facts within the memoir genreCorrect answer is option 'D'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Read the passage and answer the question given below.Scandals involving authors of memoirs have raised questions about how much artistic license should be allowed in a purported work of nonfiction. By definition, nonfiction works are about facts and real events, but perception of real events can vary greatly depending on the point of view of the writer, especially an author recounting personal experience in the form of a memoir. Consideration of the reaction to two specific incidents involving narrative memoirs that were later proven to be largely, or wholly, untrue shows how much the repercussions can vary when the fallacies are revealed.In 2008, writer Margaret Seltzer decided that the story of a mixed ethnicity, Native American foster child trying to survive the gang culture of South Central Los Angeles was a story that needed to be told. Unfortunately, she chose to recount that story in the form of a memoir, adopting the pseudonym Margaret B. Jones so that she could not readily be identified, to tell the tale in her book Love and Consequences. When it was revealed, by her sister, that she was actually white and grew up in a wealthy suburb of Los Angeles, Seltzer claimed that her desire was to give voice to legitimate concerns that were going unheard. This claim, though, ran counter to the persona she adopted for radio interviews while promoting the memoir, during which she chose to use a vernacular and carry herself in a way that she thought would lend authenticity to her story. In doing so, she did a disservice to those whose experiences she had appropriated, and within a week she suffered the consequences: all copies of the book were recalled by the publisher, and Seltzer has not had any published works since that time.Prior to Seltzer, author James Frey had also experienced the highs and lows of writing a successful memoir that was not completely based in fact. Be-fore his tale of the dark depths of addiction and the winding road to recovery, A Million Little Pieces, landed him at the top of The New York Times best-seller list for fifteen weeks in 2005, Frey and his editors notions of what should be considered a memoir were quite loose. Everything came tumbling down when Freys book was exposed as containing a number of fabrications, and just as quickly as Frey rose to prominence, he became a media pariah. Frey claimed that he had never represented A Million Little Pieces as anything other than a memoir and that his embellishment of events was within the bounds of what is considered acceptable as a memoir within the literary world. His time in the media spotlight tends to belie his claim, as it saw him embrace the fraudulent persona he had created for himself in his book. In recent years, the view of the publishing world and the media toward Frey has softened, and he later returned to the best-seller list with his fictional work, Bright Shiny Morning.Q. The primary purpose of the passage is toa)criticize the consequences of the memoir genre being defined so looselyb)cast doubt on the effectiveness of the repercussions faced by Seltzer and Freyc)argue that both Seltzer and Frey were treated unfairly by the mediad)discuss the consequences to authors when memoirs are proven to be falsee)debate whether artistic license outweighs commitment to facts within the memoir genreCorrect answer is option 'D'. Can you explain this answer? tests, examples and also practice GMAT tests.