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Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.
Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.
Q. According to the passage, which of the following is a true statement about the first and second parts of Wuthering Heights?
  • a)
    The second part has received more attention from critics.
  • b)
    The second part has little relation to the first part.
  • c)
    The second part annuls the force of the first part.
  • d)
    The second part provides less substantiation for a romantic reading.
  • e)
    The second part is better because it is more realistic.
Correct answer is option 'D'. Can you explain this answer?
Most Upvoted Answer
Directions: Refer to the following passage. After reading the passage...
This question requires the reader to identify which of the given relationships between the novel’s first and second parts is one that is described in the passage. According to the first sentence, the first part of the novel tends to confirm the “romantic” reading more strongly than the second. Therefore, Choice D is correct. Nothing in the passage suggests that critics have paid more attention to the second part, that the two parts have little relation, or that the second part is better. Therefore, Choices A, B, and E are incorrect. Choice C is a more extreme statement than any found in the passage, and therefore it is incorrect.
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Directions: Read the following passage and answer the question.The Terracotta Army, 8,000 terracotta warrior figures guarding the tomb of the first Chinese emperor, Qin Shui Huang (259–210 ), was discovered in Xi’an in northwest China in 1974. The finding was remarkable not only for the sheer number of figures but for the intricate details of each sculpture. While it was a well-developed art form in ancient Greece, sculpture seems to have played only a minor role in ancient Asian art until the ascension of Qin Shui Huang. The variety of ear shapes, hairstyles, and armor among the figures has archaeologists pondering the possibility that the Terracotta Army may be representations of actual individual warriors. Such a level of detail is far beyond that of any known earlier Chinese sculptures.Experts are searching for an explanation for this seemingly sudden appearance of sophisticated sculpture in ancient China. Recent DNA analysis of human remains found in westernmost China from the period of Qin Shui Huang yielded the surprising presence of European DNA, leading anthropologists to believe that Western contact with China may significantly predate the Silk Road, usually considered the inception of the relationship between these two civilizations. What is even more remarkable, however, is one of the responses to this discovery. Professor Lukas Nickel, an art historian from the University of Vienna, speculates that the presence of the DNA indicates that a Greek sculptor may have been employed at the site of the Terracotta Army to train the locals. Nickel also cites ancient Chinese records that reveal tales of giant statues appearing in the far West, as well as narratives stating that the emperor ordered the casting of copies in bronze that were erected in front of his palace. This account supports the notion of early contact between China and the West, which Nickel says could have inspired the First Emperor not only to duplicate the giant statues but also to build the huge Terracotta Army along with other life-size sculptures. Li Xiuzhen, a Chinese archaeologist specializing in the Terracotta Army, responds that the sculptures “may be inspired by Western culture, but were uniquely made by the Chinese.”Nickel’s leap from the presence of European DNA in one part of China to his conclusion strains credulity. It is, at best, an interesting hypothesis demanding further evidence and, at worst, a pernicious example of Western cultural elitism wherein artistic developments that parallel or exceed those of Western culture are considered impossible without the impetus of Western influence.Q. The primary purpose of the passage is to

PASSAGE:Despite their many differences of temperament and of literary perspective, Emerson, Thoreau, Hawthorne, Melville, and Whitman share certain beliefs. Common to all these writers is their humanistic perspective. Its basic premises are that humans are the spiritual center of the universe and that in them alone is the clue of the nature, history and ultimately the cosmos itself. Without denying outright the existenced either of a deity or of brute matter, this perspective nevertheless rejects them as exclusive principles of interpretation and prefers to explain humans and the world in terms of humanity itself. This preference is expressed most clearly in the Transcendentalist principle that the structure of the universe literally duplicates the structure of the individual self: therefore, all knowledge begins with self-knowledge.This common perspective is almost always universalized. Its emphasis is not upon the individual as a particular European or American, but upon the hyuman as universal, freed from the accidents of time, space, birth and talent. Thus, for Emerson, the “American Scholar” turns out to be simply “Main Tinking”; while, for Whitman, the “Song of Myself” merges imperceptibly into a song of all the “children of Adam:,” where “every atom belonging to me as good belongs to you.” Also common to all five writers is the belief that individual virtue and happiness depends upon the self-realization, which, in turn, depend upon the harmonious reconciliation of two universal psychological tendencies: first, the self-asserting impulse of the individual to withdraw; to remain unique and separate, and to be responsible only to himself or herself, and second, the self-transcending impulse of the individual to embrace the whole world in the experience of a single moment and to know and become one with that world. These conflicting impulses can be seen in the democratic ethic. Democracy advocates individualism, he preservation of the individual’s free-dom and self-expression. But the democratic self is torn between the duty to self, which is implied by the concept of liberty, and the duty to society, which is implied by the concept of equality and fraternity.A third assumption common to the five writers is that intuition and imagination offer a surer road to truth than does abstract logic or scientific method. It is illustrated by their emphasis upon the introspection-their belief that the clue to external nature is to be found in the inner world of individual psychology and by their interpretation of experience as, in essence, symbolic. Both these stresses presume an organic relationship between the self and the cosmos of which only intuition and imagination can properly take account. These writers’ faith in the imagination and in themselves as practitioners of imagination led them conceive of the writer as a seer and enabled them to achieve supreme confidence in their own moral and metaphysical insights.Q. According to the passage, the five writers objects to the scientific method primarily because they think it

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Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. According to the passage, which of the following is a true statement about the first and second parts of Wuthering Heights?a)The second part has received more attention from critics.b)The second part has little relation to the first part.c)The second part annuls the force of the first part.d)The second part provides less substantiation for a romantic reading.e)The second part is better because it is more realistic.Correct answer is option 'D'. Can you explain this answer?
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Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. According to the passage, which of the following is a true statement about the first and second parts of Wuthering Heights?a)The second part has received more attention from critics.b)The second part has little relation to the first part.c)The second part annuls the force of the first part.d)The second part provides less substantiation for a romantic reading.e)The second part is better because it is more realistic.Correct answer is option 'D'. Can you explain this answer? for GRE 2024 is part of GRE preparation. The Question and answers have been prepared according to the GRE exam syllabus. Information about Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. According to the passage, which of the following is a true statement about the first and second parts of Wuthering Heights?a)The second part has received more attention from critics.b)The second part has little relation to the first part.c)The second part annuls the force of the first part.d)The second part provides less substantiation for a romantic reading.e)The second part is better because it is more realistic.Correct answer is option 'D'. Can you explain this answer? covers all topics & solutions for GRE 2024 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. According to the passage, which of the following is a true statement about the first and second parts of Wuthering Heights?a)The second part has received more attention from critics.b)The second part has little relation to the first part.c)The second part annuls the force of the first part.d)The second part provides less substantiation for a romantic reading.e)The second part is better because it is more realistic.Correct answer is option 'D'. Can you explain this answer?.
Solutions for Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. According to the passage, which of the following is a true statement about the first and second parts of Wuthering Heights?a)The second part has received more attention from critics.b)The second part has little relation to the first part.c)The second part annuls the force of the first part.d)The second part provides less substantiation for a romantic reading.e)The second part is better because it is more realistic.Correct answer is option 'D'. Can you explain this answer? in English & in Hindi are available as part of our courses for GRE. Download more important topics, notes, lectures and mock test series for GRE Exam by signing up for free.
Here you can find the meaning of Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. According to the passage, which of the following is a true statement about the first and second parts of Wuthering Heights?a)The second part has received more attention from critics.b)The second part has little relation to the first part.c)The second part annuls the force of the first part.d)The second part provides less substantiation for a romantic reading.e)The second part is better because it is more realistic.Correct answer is option 'D'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. According to the passage, which of the following is a true statement about the first and second parts of Wuthering Heights?a)The second part has received more attention from critics.b)The second part has little relation to the first part.c)The second part annuls the force of the first part.d)The second part provides less substantiation for a romantic reading.e)The second part is better because it is more realistic.Correct answer is option 'D'. Can you explain this answer?, a detailed solution for Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. According to the passage, which of the following is a true statement about the first and second parts of Wuthering Heights?a)The second part has received more attention from critics.b)The second part has little relation to the first part.c)The second part annuls the force of the first part.d)The second part provides less substantiation for a romantic reading.e)The second part is better because it is more realistic.Correct answer is option 'D'. Can you explain this answer? has been provided alongside types of Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. According to the passage, which of the following is a true statement about the first and second parts of Wuthering Heights?a)The second part has received more attention from critics.b)The second part has little relation to the first part.c)The second part annuls the force of the first part.d)The second part provides less substantiation for a romantic reading.e)The second part is better because it is more realistic.Correct answer is option 'D'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. According to the passage, which of the following is a true statement about the first and second parts of Wuthering Heights?a)The second part has received more attention from critics.b)The second part has little relation to the first part.c)The second part annuls the force of the first part.d)The second part provides less substantiation for a romantic reading.e)The second part is better because it is more realistic.Correct answer is option 'D'. Can you explain this answer? tests, examples and also practice GRE tests.
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