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Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.
Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.
Q. The author of the passage would be most likely to agree that an interpretation of a novel should
  • a)
    not try to unite heterogeneous elements in the novel
  • b)
    not be inflexible in its treatment of the elements in the novel
  • c)
    not argue that the complex use of narrators or of time shifts indicates a sophisticated structure
  • d)
    concentrate on those recalcitrant elements of the novel that are outside the novel’s main structure
  • e)
    primarily consider those elements of novelistic construction of which the author of the novel was aware
Correct answer is option 'B'. Can you explain this answer?
Most Upvoted Answer
Directions: Refer to the following passage. After reading the passage...
This question requires the reader to determine what can be inferred from the passage about its author’s view of the interpretation of novels. Choice A may seem attractive because in the passage the author says that Wuthering Heights has heterogeneous elements that resist inclusion in a unifying interpretive scheme. Choice A is incorrect, however, because the author does not indicate that the unification of different elements is to be avoided in interpretation generally. By contrast, the author’s parenthetical statement about rigidity does present a general warning against inflexibility of interpretation, and it is this that supports Choice B as the correct answer. Choice C is incorrect, as the author actually suggests the contrary of this view in the second sentence of the passage. Although the author mentions recalcitrant elements of Wuthering Heights, there is no suggestion by the author that such elements deserve a special focus in interpretation. Therefore Choice D is incorrect. The author of the passage does not indicate which elements, if any, of novelistic construction are most worthy of consideration. Therefore Choice E is incorrect.
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Directions: Refer to the following passage. After reading the passage...
Analysis of Answer Choice B:

Flexibility in Interpretation:
- The author of the passage suggests that interpretations of a novel should not be inflexible in their treatment of the elements present in the novel.
- This means that interpretations should not rigidly adhere to a single perspective or thesis, as this may limit the understanding and appreciation of the diverse elements within the novel.

Supporting Evidence:
- The passage states that while attempts to unify the novel's heterogeneous parts are encouraged, interpretations that seek to unite all elements may be somewhat unconvincing.
- The author also mentions that rigidity in interpretation is always a danger, implying the importance of flexibility in approaching the novel.

Conclusion:
- Based on the author's perspective, it is essential for interpretations of novels, such as Wuthering Heights, to maintain a level of flexibility in order to fully engage with the complexity and diversity of the text.
- By being open to various interpretations and perspectives, readers can more effectively navigate the intricate structure and themes present in the novel.
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Directions: Read the following passage and answer the question.The Terracotta Army, 8,000 terracotta warrior figures guarding the tomb of the first Chinese emperor, Qin Shui Huang (259–210 ), was discovered in Xi’an in northwest China in 1974. The finding was remarkable not only for the sheer number of figures but for the intricate details of each sculpture. While it was a well-developed art form in ancient Greece, sculpture seems to have played only a minor role in ancient Asian art until the ascension of Qin Shui Huang. The variety of ear shapes, hairstyles, and armor among the figures has archaeologists pondering the possibility that the Terracotta Army may be representations of actual individual warriors. Such a level of detail is far beyond that of any known earlier Chinese sculptures.Experts are searching for an explanation for this seemingly sudden appearance of sophisticated sculpture in ancient China. Recent DNA analysis of human remains found in westernmost China from the period of Qin Shui Huang yielded the surprising presence of European DNA, leading anthropologists to believe that Western contact with China may significantly predate the Silk Road, usually considered the inception of the relationship between these two civilizations. What is even more remarkable, however, is one of the responses to this discovery. Professor Lukas Nickel, an art historian from the University of Vienna, speculates that the presence of the DNA indicates that a Greek sculptor may have been employed at the site of the Terracotta Army to train the locals. Nickel also cites ancient Chinese records that reveal tales of giant statues appearing in the far West, as well as narratives stating that the emperor ordered the casting of copies in bronze that were erected in front of his palace. This account supports the notion of early contact between China and the West, which Nickel says could have inspired the First Emperor not only to duplicate the giant statues but also to build the huge Terracotta Army along with other life-size sculptures. Li Xiuzhen, a Chinese archaeologist specializing in the Terracotta Army, responds that the sculptures “may be inspired by Western culture, but were uniquely made by the Chinese.”Nickel’s leap from the presence of European DNA in one part of China to his conclusion strains credulity. It is, at best, an interesting hypothesis demanding further evidence and, at worst, a pernicious example of Western cultural elitism wherein artistic developments that parallel or exceed those of Western culture are considered impossible without the impetus of Western influence.Q. The primary purpose of the passage is to

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Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer?
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Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? for GRE 2024 is part of GRE preparation. The Question and answers have been prepared according to the GRE exam syllabus. Information about Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? covers all topics & solutions for GRE 2024 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer?.
Solutions for Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? in English & in Hindi are available as part of our courses for GRE. Download more important topics, notes, lectures and mock test series for GRE Exam by signing up for free.
Here you can find the meaning of Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer?, a detailed solution for Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? has been provided alongside types of Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. 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