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Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? for GRE 2024 is part of GRE preparation. The Question and answers have been prepared
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the GRE exam syllabus. Information about Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? covers all topics & solutions for GRE 2024 Exam.
Find important definitions, questions, meanings, examples, exercises and tests below for Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer?.
Solutions for Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? in English & in Hindi are available as part of our courses for GRE.
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Here you can find the meaning of Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of
Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer?, a detailed solution for Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? has been provided alongside types of Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? theory, EduRev gives you an
ample number of questions to practice Directions: Refer to the following passage. After reading the passage, read and respond to each question selecting the best answer choice for each one.Many critics of Emily Brontë’s novel Wuthering Heights see its second part as a counterpoint that comments on, if it does not reverse, the first part, where a romantic reading receives more confirmation. Seeing the two parts as a whole is encouraged by the novel’s sophisticated structure, revealed in its complex use of narrators and time shifts. Granted that the presence of these elements need not argue for an authorial awareness of novelistic construction comparable to that of Henry James, their presence does encourage attempts to unify the novel’s heterogeneous parts. However, any interpretation that seeks to unify all of the novel’s diverse elements is bound to be somewhat unconvincing. This is not because such an interpretation necessarily stiffens into a thesis (although rigidity in any interpretation of this or of any novel is always a danger), but because Wuthering Heights has recalcitrant elements of undeniable power that, ultimately, resist inclusion in an all-encompassing interpretation. In this respect, Wuthering Heights shares a feature of Hamlet.Q. The author of the passage would be most likely to agree that an interpretation of a novel shoulda)not try to unite heterogeneous elements in the novelb)not be inflexible in its treatment of the elements in the novelc)not argue that the complex use of narrators or of time shifts indicates a sophisticated structured)concentrate on those recalcitrant elements of the novel that are outside the novel’s main structuree)primarily consider those elements of novelistic construction of which the author of the novel was awareCorrect answer is option 'B'. Can you explain this answer? tests, examples and also practice GRE tests.