Directions (Q. 33 - 35): In each of the following questions, a number series is given with one term missing. Choose the correct alternative that will continue the same pattern and fill in the black spaces.Q.Pointing to a photograph, a person tells to his friend, she is the granddaughter of the elder brother of my father, how is the girl in the photograph related to the man?a)Niece b)Sister c)Aunt d)Sister in lawCorrect answer is option 'A'. Can you explain this answer?

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Pointing to a photograph, a person tells to his friend, “she is the granddaughter of the elder brother of my father“, how is the girl in the photograph related to the man?

a)
Niece
b)
Sister
c)
Aunt
d)
Sister in – law

Correct answer is option 'A'. Can you explain this answer?

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Read the passage carefully and answer the following questions:MY LOVE OF NATURE, goes right back to my childhood, to the times when I stayed on my grandparents farm in Suffolk. My father was in the armed forces, so we were always moving and didnt have a home base for any length of time, but I loved going there. I think it was my grandmother who encouraged me more than anyone: she taught me the names of wild flowers and got me interested in looking at the countryside, so it seemed obvious to go on to do Zoology at University.I didnt get my first camera until after Id graduated, when I was due to go diving in Norway and needed a method of recording the sea creatures I would find there. My father didnt know anything about photography, but he bought me an Exacta, which was really quite a good camera for the time, and I went off to take my first pictures of sea anemones and starfish. I became keen very quickly, and learned how to develop and print; obviously I didnt have much money in those days, so I did more black and white photography than colour, but it was all still using the camera very much as a tool to record what I found both by diving and on the shore. I had no ambition at all to be a photographer then, or even for some years afterwards.Unlike many of the wildlife photographers of the time, I trained as a scientist and therefore my way of expressing myself is very different. Ive tried from the beginning to produce pictures, which are always biologically correct. There are people who will alter things deliberately: you dont pick up sea creatures from the middle of the shore and take them down to attractive pools at the bottom of the shore without knowing youre doing it. In so doing youre actually falsifying the sort of seaweeds they live on and so on, which may seem unimportant, but it is actually changing the natural surroundings to make them prettier. Unfortunately, many of the people who select pictures are looking for attractive images and, at the end of the day, whether its truthful or not doesnt really matter to them.Its important to think about the animal first, and there are many occasions when Ive not taken a picture because it would have been too disturbing. Nothing is so important that you have to get that shot; of course, there are cases when it would be very sad if you didnt, but its not the end of the world. There can be a lot of ignorance in peoples behaviour towards wild animals and its a problem that more and more people are going to wild places: while some animals may get used to cars, they wont get used to people suddenly rushing up to them. The sheer pressure of people, coupled with the fact that there are increasingly fewer places where no-one else has photographed, means that over the years, life has become much more difficult for the professional wildlife photographer. Nevertheless, wildlife photographs play a very important part in educating people about what is out there and what needs conserving. Although photography can be an enjoyable pastime, as it is to many people, it is also something that plays a very important part in educating young and old alike. Of the qualities it takes to make a good wildlife photographer, patience is perhaps the most obvious - you just have to be prepared to sit it out. Im actually more patient now because I write more than ever before, and as long as Ive got a bit of paper and a pencil, I dont feel Im wasting my time. And because I photograph such a wide range of things, even if the main target doesnt appear I can probably find something else to concentrate on instead.Q. How is she different from some of the other wildlife photographers she meets?

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Read the passage carefully and answer the following questions:MY LOVE OF NATURE, goes right back to my childhood, to the times when I stayed on my grandparents farm in Suffolk. My father was in the armed forces, so we were always moving and didnt have a home base for any length of time, but I loved going there. I think it was my grandmother who encouraged me more than anyone: she taught me the names of wild flowers and got me interested in looking at the countryside, so it seemed obvious to go on to do Zoology at University.I didnt get my first camera until after Id graduated, when I was due to go diving in Norway and needed a method of recording the sea creatures I would find there. My father didnt know anything about photography, but he bought me an Exacta, which was really quite a good camera for the time, and I went off to take my first pictures of sea anemones and starfish. I became keen very quickly, and learned how to develop and print; obviously I didnt have much money in those days, so I did more black and white photography than colour, but it was all still using the camera very much as a tool to record what I found both by diving and on the shore. I had no ambition at all to be a photographer then, or even for some years afterwards.Unlike many of the wildlife photographers of the time, I trained as a scientist and therefore my way of expressing myself is very different. Ive tried from the beginning to produce pictures, which are always biologically correct. There are people who will alter things deliberately: you dont pick up sea creatures from the middle of the shore and take them down to attractive pools at the bottom of the shore without knowing youre doing it. In so doing youre actually falsifying the sort of seaweeds they live on and so on, which may seem unimportant, but it is actually changing the natural surroundings to make them prettier. Unfortunately, many of the people who select pictures are looking for attractive images and, at the end of the day, whether its truthful or not doesnt really matter to them.Its important to think about the animal first, and there are many occasions when Ive not taken a picture because it would have been too disturbing. Nothing is so important that you have to get that shot; of course, there are cases when it would be very sad if you didnt, but its not the end of the world. There can be a lot of ignorance in peoples behaviour towards wild animals and its a problem that more and more people are going to wild places: while some animals may get used to cars, they wont get used to people suddenly rushing up to them. The sheer pressure of people, coupled with the fact that there are increasingly fewer places where no-one else has photographed, means that over the years, life has become much more difficult for the professional wildlife photographer. Nevertheless, wildlife photographs play a very important part in educating people about what is out there and what needs conserving. Although photography can be an enjoyable pastime, as it is to many people, it is also something that plays a very important part in educating young and old alike. Of the qualities it takes to make a good wildlife photographer, patience is perhaps the most obvious - you just have to be prepared to sit it out. Im actually more patient now because I write more than ever before, and as long as Ive got a bit of paper and a pencil, I dont feel Im wasting my time. And because I photograph such a wide range of things, even if the main target doesnt appear I can probably find something else to concentrate on instead.Q. She did more black and white photography than colour because

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Read the passage carefully and answer the following questions: MY LOVE OF NATURE, goes right back to my childhood, to the times when I stayed on my grandparents' farm in Suffolk. My father was in the armed forces, so we were always moving and didn't have a home base for any length of time, but I loved going there. I think it was my grandmother who encouraged me more than anyone: she taught me the names of wild flowers and got me interested in looking at the countryside, so it seemed obvious to go on to do Zoology at University.I didn't get my first camera until after I'd graduated, when I was due to go diving in Norway and needed a method of recording the sea creatures I would find there. My father didn't know anything about photography, but he bought me an Exacta, which was really quite a good camera for the time, and I went off to take my first pictures of sea anemones and starfish. I became keen very quickly, and learned how to develop and print; obviously I didn't have much money in those days, so I did more black and white photography than colour, but it was all still using the camera very much as a tool to record what I found both by diving and on the shore. I had no ambition at all to be a photographer then, or even for some years afterwards.Unlike many of the wildlife photographers of the time, I trained as a scientist and therefore my way of expressing myself is very different. I've tried from the beginning to produce pictures, which are always biologically correct. There are people who will alter things deliberately: you don't pick up sea creatures from the middle of the shore and take them down to attractive pools at the bottom of the shore without knowing you're doing it. In so doing you're actually falsifying the sort of seaweeds they live on and so on, which may seem unimportant, but it is actually changing the natural surroundings to make them prettier. Unfortunately, many of the people who select pictures are looking for attractive images and, at the end of the day, whether it's truthful or not doesn't really matter to them.It's important to think about the animal first, and there are many occasions when I've not taken a picture because it would have been too disturbing. Nothing is so important that you have to get that shot; of course, there are cases when it would be very sad if you didn't, but it's not the end of the world. There can be a lot of ignorance in people's behaviour towards wild animals and it's a problem that more and more people are going to wild places: while some animals may get used to cars, they won't get used to people suddenly rushing up to them. The sheer pressure of people, coupled with the fact that there are increasingly fewer places where no-one else has photographed, means that over the years, life has become much more difficult for the professional wildlife photographer. Nevertheless, wildlife photographs play a very important part in educating people about what is out there and what needs conserving. Although photography can be an enjoyable pastime, as it is to many people, it is also something that plays a very important part in educating young and old alike. Of the qualities it takes to make a good wildlife photographer, patience is perhaps the most obvious - you just have to be prepared to sit it out. I'm actually more patient now because I write more than ever before, and as long as I've got a bit of paper and a pencil, I don't feel I'm wasting my time. And because I photograph such a wide range of things, even if the main target doesn't appear I can probably find something else to concentrate on instead.Why did she get her first camera?

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Read the passage carefully and answer the following questions: MY LOVE OF NATURE, goes right back to my childhood, to the times when I stayed on my grandparents' farm in Suffolk. My father was in the armed forces, so we were always moving and didn't have a home base for any length of time, but I loved going there. I think it was my grandmother who encouraged me more than anyone: she taught me the names of wild flowers and got me interested in looking at the countryside, so it seemed obvious to go on to do Zoology at University.I didn't get my first camera until after I'd graduated, when I was due to go diving in Norway and needed a method of recording the sea creatures I would find there. My father didn't know anything about photography, but he bought me an Exacta, which was really quite a good camera for the time, and I went off to take my first pictures of sea anemones and starfish. I became keen very quickly, and learned how to develop and print; obviously I didn't have much money in those days, so I did more black and white photography than colour, but it was all still using the camera very much as a tool to record what I found both by diving and on the shore. I had no ambition at all to be a photographer then, or even for some years afterwards.Unlike many of the wildlife photographers of the time, I trained as a scientist and therefore my way of expressing myself is very different. I've tried from the beginning to produce pictures, which are always biologically correct. There are people who will alter things deliberately: you don't pick up sea creatures from the middle of the shore and take them down to attractive pools at the bottom of the shore without knowing you're doing it. In so doing you're actually falsifying the sort of seaweeds they live on and so on, which may seem unimportant, but it is actually changing the natural surroundings to make them prettier. Unfortunately, many of the people who select pictures are looking for attractive images and, at the end of the day, whether it's truthful or not doesn't really matter to them.It's important to think about the animal first, and there are many occasions when I've not taken a picture because it would have been too disturbing. Nothing is so important that you have to get that shot; of course, there are cases when it would be very sad if you didn't, but it's not the end of the world. There can be a lot of ignorance in people's behaviour towards wild animals and it's a problem that more and more people are going to wild places: while some animals may get used to cars, they won't get used to people suddenly rushing up to them. The sheer pressure of people, coupled with the fact that there are increasingly fewer places where no-one else has photographed, means that over the years, life has become much more difficult for the professional wildlife photographer. Nevertheless, wildlife photographs play a very important part in educating people about what is out there and what needs conserving. Although photography can be an enjoyable pastime, as it is to many people, it is also something that plays a very important part in educating young and old alike. Of the qualities it takes to make a good wildlife photographer, patience is perhaps the most obvious - you just have to be prepared to sit it out. I'm actually more patient now because I write more than ever before, and as long as I've got a bit of paper and a pencil, I don't feel I'm wasting my time. And because I photograph such a wide range of things, even if the main target doesn't appear I can probably find something else to concentrate on instead.How is she different from some of the other wildlife photographers she meets?

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Read the passage carefully and answer the following questions: MY LOVE OF NATURE, goes right back to my childhood, to the times when I stayed on my grandparents' farm in Suffolk. My father was in the armed forces, so we were always moving and didn't have a home base for any length of time, but I loved going there. I think it was my grandmother who encouraged me more than anyone: she taught me the names of wild flowers and got me interested in looking at the countryside, so it seemed obvious to go on to do Zoology at University.I didn't get my first camera until after I'd graduated, when I was due to go diving in Norway and needed a method of recording the sea creatures I would find there. My father didn't know anything about photography, but he bought me an Exacta, which was really quite a good camera for the time, and I went off to take my first pictures of sea anemones and starfish. I became keen very quickly, and learned how to develop and print; obviously I didn't have much money in those days, so I did more black and white photography than colour, but it was all still using the camera very much as a tool to record what I found both by diving and on the shore. I had no ambition at all to be a photographer then, or even for some years afterwards. Unlike many of the wildlife photographers of the time, I trained as a scientist and therefore my way of expressing myself is very different. I've tried from the beginning to produce pictures, which are always biologically correct. There are people who will alter things deliberately: you don't pick up sea creatures from the middle of the shore and take them down to attractive pools at the bottom of the shore without knowing you're doing it. In so doing you're actually falsifying the sort of seaweeds they live on and so on, which may seem unimportant, but it is actually changing the natural surroundings to make them prettier. Unfortunately, many of the people who select pictures are looking for attractive images and, at the end of the day, whether it's truthful or not doesn't really matter to them.It's important to think about the animal first, and there are many occasions when I've not taken a picture because it would have been too disturbing. Nothing is so important that you have to get that shot; of course, there are cases when it would be very sad if you didn't, but it's not the end of the world. There can be a lot of ignorance in people's behaviour towards wild animals and it's a problem that more and more people are going to wild places: while some animals may get used to cars, they won't get used to people suddenly rushing up to them. The sheer pressure of people, coupled with the fact that there are increasingly fewer places where no-one else has photographed, means that over the years, life has become much more difficult for the professional wildlife photographer. Nevertheless, wildlife photographs play a very important part in educating people about what is out there and what needs conserving. Although photography can be an enjoyable pastime, as it is to many people, it is also something that plays a very important part in educating young and old alike. Of the qualities it takes to make a good wildlife photographer, patience is perhaps the most obvious - you just have to be prepared to sit it out. I'm actually more patient now because I write more than ever before, and as long as I've got a bit of paper and a pencil, I don't feel I'm wasting my time. And because I photograph such a wide range of things, even if the main target doesn't appear I can probably find something else to concentrate on instead.She did more black and white photography than colour because

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Directions (Q. 33 - 35): In each of the following questions, a number series is given with one term missing. Choose the correct alternative that will continue the same pattern and fill in the black spaces.Q.Pointing to a photograph, a person tells to his friend, “she is the granddaughter of the elder brother of my father“, how is the girl in the photograph related to the man?a)Niece b)Sister c)Aunt d)Sister in – lawCorrect answer is option 'A'. Can you explain this answer?

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Directions (Q. 33 - 35): In each of the following questions, a number series is given with one term missing. Choose the correct alternative that will continue the same pattern and fill in the black spaces.Q.Pointing to a photograph, a person tells to his friend, “she is the granddaughter of the elder brother of my father“, how is the girl in the photograph related to the man?a)Niece b)Sister c)Aunt d)Sister in – lawCorrect answer is option 'A'. Can you explain this answer? for CLAT 2024 is part of CLAT preparation. The Question and answers have been prepared according to the CLAT exam syllabus. Information about Directions (Q. 33 - 35): In each of the following questions, a number series is given with one term missing. Choose the correct alternative that will continue the same pattern and fill in the black spaces.Q.Pointing to a photograph, a person tells to his friend, “she is the granddaughter of the elder brother of my father“, how is the girl in the photograph related to the man?a)Niece b)Sister c)Aunt d)Sister in – lawCorrect answer is option 'A'. Can you explain this answer? covers all topics & solutions for CLAT 2024 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Directions (Q. 33 - 35): In each of the following questions, a number series is given with one term missing. Choose the correct alternative that will continue the same pattern and fill in the black spaces.Q.Pointing to a photograph, a person tells to his friend, “she is the granddaughter of the elder brother of my father“, how is the girl in the photograph related to the man?a)Niece b)Sister c)Aunt d)Sister in – lawCorrect answer is option 'A'. Can you explain this answer?.

Solutions for Directions (Q. 33 - 35): In each of the following questions, a number series is given with one term missing. Choose the correct alternative that will continue the same pattern and fill in the black spaces.Q.Pointing to a photograph, a person tells to his friend, “she is the granddaughter of the elder brother of my father“, how is the girl in the photograph related to the man?a)Niece b)Sister c)Aunt d)Sister in – lawCorrect answer is option 'A'. Can you explain this answer? in English & in Hindi are available as part of our courses for CLAT. Download more important topics, notes, lectures and mock test series for CLAT Exam by signing up for free.

Here you can find the meaning of Directions (Q. 33 - 35): In each of the following questions, a number series is given with one term missing. Choose the correct alternative that will continue the same pattern and fill in the black spaces.Q.Pointing to a photograph, a person tells to his friend, “she is the granddaughter of the elder brother of my father“, how is the girl in the photograph related to the man?a)Niece b)Sister c)Aunt d)Sister in – lawCorrect answer is option 'A'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Directions (Q. 33 - 35): In each of the following questions, a number series is given with one term missing. Choose the correct alternative that will continue the same pattern and fill in the black spaces.Q.Pointing to a photograph, a person tells to his friend, “she is the granddaughter of the elder brother of my father“, how is the girl in the photograph related to the man?a)Niece b)Sister c)Aunt d)Sister in – lawCorrect answer is option 'A'. Can you explain this answer?, a detailed solution for Directions (Q. 33 - 35): In each of the following questions, a number series is given with one term missing. Choose the correct alternative that will continue the same pattern and fill in the black spaces.Q.Pointing to a photograph, a person tells to his friend, “she is the granddaughter of the elder brother of my father“, how is the girl in the photograph related to the man?a)Niece b)Sister c)Aunt d)Sister in – lawCorrect answer is option 'A'. Can you explain this answer? has been provided alongside types of Directions (Q. 33 - 35): In each of the following questions, a number series is given with one term missing. Choose the correct alternative that will continue the same pattern and fill in the black spaces.Q.Pointing to a photograph, a person tells to his friend, “she is the granddaughter of the elder brother of my father“, how is the girl in the photograph related to the man?a)Niece b)Sister c)Aunt d)Sister in – lawCorrect answer is option 'A'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Directions (Q. 33 - 35): In each of the following questions, a number series is given with one term missing. Choose the correct alternative that will continue the same pattern and fill in the black spaces.Q.Pointing to a photograph, a person tells to his friend, “she is the granddaughter of the elder brother of my father“, how is the girl in the photograph related to the man?a)Niece b)Sister c)Aunt d)Sister in – lawCorrect answer is option 'A'. Can you explain this answer? tests, examples and also practice CLAT tests.

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