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About the Poet | |
Key Points of the Poem | |
Detailed Summary | |
Theme/Message | |
Literary Devices | |
Difficult Words |
Adrienne Rich, an American poet, essayist, and activist, was born in Baltimore, Maryland, USA, in 1929, and passed away in 2012. Known for her extensive body of work, which includes nearly twenty volumes of poetry, Rich has been recognized as a feminist and radical poet. Among her notable works, "Diving into the Wreck" stands out as one of her most celebrated poems.
The trees inside are moving out into the forest,
the forest that was empty all these days
where no bird could sit
no insect hide
no sun buries its feet in the shadow
the forest that was empty all these nights
will be full of trees by morning.
The poem's narrator observes a symbolic movement of trees from their house into the long-empty forest. This movement represents the poet's commentary on the destruction of forests and the artificiality of human attempts to preserve nature within their homes. Due to the forest's emptiness, birds couldn't perch on branches, insects had no refuge, and sunlight couldn't penetrate the dense canopy. The speaker anticipates that the forest will be replenished with trees by the following morning, symbolizing a restoration of nature's balance.
All night the roots work
to disengage themselves from the cracks
in the veranda floor.
The leaves strain toward the glass
small twigs stiff with exertion
long-cramped boughs shuffling under the roof
like newly discharged patients
half-dazed, moving
to the clinic doors.
In the poem, the speaker imagines that the trees inside their house are symbolically moving out into the empty forest outside. This imagery highlights the destruction of natural habitats caused by humans, who try to keep a false version of nature indoors. Because the forest has been empty for so long, birds couldn't rest on tree branches, insects couldn't find shelter, and sunlight couldn't penetrate the dense canopy of the trees. The speaker predicts that the forest will soon be filled with trees again by morning, symbolizing a restoration of nature's balance.
During the night, the roots of the trees silently work to free themselves from the cracks in the veranda floor. The leaves strain towards the glass windows, exerting pressure to break free. The small twigs become stiff from the effort, while the larger branches, cramped under the roof, move slowly as if they were newly discharged patients from a hospital, half-dazed and disoriented. This imagery emphasizes the trees' determination to break free and return to their natural habitat.
The speaker, possibly the poet herself, sits indoors writing lengthy letters, with the doors opening onto the veranda. Despite the trees' symbolic movement outside, she rarely mentions them in her letters. It's a serene night with a full moon illuminating the sky, and the air feels refreshingly crisp. The poet can detect the scent of leaves and lichens emanating from the trees, which reaches her like a distant voice. This sensory experience adds to the atmosphere of the night, heightening the speaker's awareness of the natural world outside her home.
My head is full of whispers
which tomorrow will be silent.
Listen. The glass is breaking.
The trees are stumbling forward
into the night. Winds rush to meet them.
The moon is broken like a mirror,
its pieces flash now in the crown
of the tallest oak.
The speaker listens to the sounds of leaves and lichens coming from the trees, realizing they won't be there in the morning as the trees move out to the forest at night. She hears the glass breaking as the twigs exert pressure, prompting the trees to rush outside, where they collide and become tangled. As the trees reach the open, it seems like the wind eagerly greets them. The taller trees can now stand upright, freed from confinement. Their height makes them appear to break the moon into pieces, resembling crowns atop the tall oak trees. This imagery underscores the idea that trees stand between the ground and the sky, obstructing the view of the full moon from beneath them.
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