All questions of Indian Literature for Bank Exams Exam

Greek kingdoms in the Punjab region

In Sanskrit sources, the words 'Yona', 'Yauna', 'Yonaka', 'Yavana', or 'Javana' are repeatedly mentioned. These words are used to refer to Greek kingdoms that neighboured and sometimes occupied the Punjab region. This makes option 'D' the correct answer.

The Punjab region, located in present-day India and Pakistan, has a rich history of cultural and political interactions with various civilizations. The Greeks, under the leadership of Alexander the Great, invaded the Punjab region in the 4th century BCE. This invasion resulted in the establishment of Greek kingdoms, known as the Indo-Greek kingdoms, in the region.

The interaction between the Greeks and the local Indian population is reflected in the usage of the aforementioned words in Sanskrit sources. These words were used to refer to the Greeks and their culture. The Greeks brought with them their language, customs, and art, which had a significant influence on the local culture.

The presence of Greek kingdoms in the Punjab region is also attested by archaeological findings, such as coins and inscriptions, which show a fusion of Greek and Indian artistic styles. These findings provide further evidence of the cultural exchange and interaction between the Greeks and the local population.

The Greek kingdoms in the Punjab region played a crucial role in the history of India. They not only influenced the local culture but also facilitated trade and cultural exchanges between India and the West. The Greek influence can be seen in various aspects of Indian art, architecture, and literature.

Overall, the usage of the words 'Yona', 'Yauna', 'Yonaka', 'Yavana', or 'Javana' in Sanskrit sources refers to the Greek kingdoms that neighboured and sometimes occupied the Punjab region. These Greek kingdoms had a significant impact on the culture and history of the region, making option 'D' the correct answer.

These were part of the later Vedic texts.

The correct answer is option 'D', neither of them. Let's analyze each statement:

1. The Jatakas form the basis of Jain Canonical literature:
This statement is incorrect. The Jatakas are actually a collection of stories related to the previous births of Gautama Buddha. They are an important part of Buddhist literature and are not associated with Jainism. Jain canonical literature consists of texts known as Agamas, which are considered the authoritative scriptures in Jainism. The Agamas contain the teachings of the Tirthankaras (spiritual leaders) and other Jain philosophers.

2. Angas and upangas are written in Pali:
This statement is also incorrect. Angas and upangas are actually part of Jain canonical literature, not Buddhist literature. They are written in Prakrit, an ancient Indian language, and not in Pali. Pali, on the other hand, is the language in which the Buddhist scriptures, known as the Tripitaka, were written.

In summary, neither of the statements is correct. The Jatakas are related to Buddhism, not Jainism, and Jain canonical literature is written in Prakrit, not Pali.

Apabhramsa




Introduction:


Apabhramsa is an umbrella term used to refer to a group of dialects that emerged during the transition from Middle to Modern Indo-Aryan languages. It is distinct from both Sanskrit and Prakrit, and it played a significant role in the development of modern Indian languages. Let us analyze the given statements about Apabhramsa:




Statement 1: Apabhramsa is also an umbrella term which means dialects other than Sanskrit or even Prakrit.


This statement is correct. Apabhramsa is a term used to describe the dialects that evolved during the medieval period in India. These dialects were distinct from Sanskrit, which was the classical language, and Prakrit, which was the spoken language during that time. Apabhramsa dialects had their own unique characteristics and were widely spoken in various regions of India.




Statement 2: It represents a transition from Middle to Modern Indo-Aryan Group of languages.


This statement is also correct. Apabhramsa played a crucial role in the transition from Middle Indo-Aryan to Modern Indo-Aryan languages. During this period, the language underwent significant changes in terms of grammar, vocabulary, and phonetics. The dialects that emerged during this transition period eventually evolved into modern Indian languages such as Hindi, Bengali, Gujarati, Punjabi, etc.




Conclusion:


Both statements are correct. Apabhramsa is an umbrella term used to describe dialects other than Sanskrit or Prakrit, and it represents the transition from Middle Indo-Aryan to Modern Indo-Aryan languages. Apabhramsa played a significant role in the development of modern Indian languages and is an important part of India's linguistic heritage.

Arya Samaj: A Hindu Reform Organisation

• Incorrect Statement 1: Arya Samaj was founded by M. G. Ranade in 1875.

The first statement is incorrect. Arya Samaj was actually founded by Swami Dayananda Saraswati on 7 April 1875 in Bombay (now Mumbai), Maharashtra. M. G. Ranade, on the other hand, was a prominent social reformer and activist in the late 19th century, but he was not involved in the founding of Arya Samaj.

• Statement 2: It sought to revive Vedic learning and combine it with modern education in the sciences.

This statement is correct. Arya Samaj aimed to reform Hindu society by promoting Vedic learning and combining it with modern education in the sciences. Swami Dayananda Saraswati believed in the importance of education and advocated for a harmonious blend of traditional Vedic knowledge and modern scientific knowledge.

• Statement 3: It regards the Vedas as infallible.

The statement does not provide any information about Arya Samaj's perspective on the infallibility of the Vedas. However, it is important to note that Arya Samaj considers the Vedas as the highest authority in matters of religious and moral guidance. They emphasize the importance of Vedic texts and teachings in their reformist ideology.

• Incorrect Statement 4: Arya Samaj professed 'Shuddhi' to bring back to the Hindu fold those who had recently converted to Islam.

The fourth statement is incorrect. While Arya Samaj did engage in the practice of 'Shuddhi', it primarily aimed to bring back those Hindus who had converted to other religions, such as Christianity or Islam, rather than focusing on recent converts to Islam specifically.

In conclusion, the correct answers are:
a) 1 only

D

• Aranyakas are generally the concluding portions of the several Brahmanas, but on account of their distinct character, contents and language deserve to be reckoned as a distinct category of literature.
• They are partly included in the Brahmanas themselves, but partly they are recognised as independent works.
• Aranyaka literature is rather small as compared to the Brahmanas. Whereas the Brahmanas deal with the huge bulk of sacrificial paraphernalia which represents Karma-Kanda, the Aranyakas and Upanishads, on the other hand, chiefly deal with the philosophical and theosophical speculations which represent Jnana-Kanda.
• The term Aranyaka is derived from the word 'Aranya' meaning 'forests'. The Aranyaka texts are so-called because 'they were works to be read in the forests' in contradiction to the regular Brahmanas, which were to be read in the village.
• This is because Yajna and other rituals are prescribed only for those who live in homes and lead householders' lives. But it has to be understood that Vedic rituals are intended to confer material benefits and mental purity by constant discipline. Having obtained purity, one must seek the solitude of forests for further concentration and meditation.
• Aranyakas contain explanations of the rituals and allegorical speculations meant for Vanprasthas, who renounce family life residing in the forests for tapas and other religious activities.
• Aranyakas have been written for Rigveda, Samaveda, Shukla Yajurveda and Krishna Yajurveda only.

Introduction:
The Brahmanas are a collection of ancient texts that form part of the Hindu sruti literature. They are closely associated with the Vedas and provide detailed explanations and instructions for the rituals and sacrifices mentioned in the Vedic texts. In this context, let us analyze the given statements about Brahmanas.

Statement 1: They are part of the Hindu sruti literature
This statement is correct. The Brahmanas are considered to be part of the sruti literature, which is considered sacred and of divine origin. The sruti literature includes the Vedas, Brahmanas, Aranyakas, and Upanishads.

Statement 2: Each Veda has a Brahmana attached to it
This statement is correct. Each of the four Vedas, namely Rig Veda, Sama Veda, Yajur Veda, and Atharva Veda, has its own Brahmana associated with it. These Brahmanas provide detailed explanations and instructions for the rituals and sacrifices mentioned in the respective Vedic texts.

Statement 3: Tandya mahabrahmana accompanies Yajur Veda
This statement is correct. The Tandya Mahabrahmana, also known as the Jaiminiya Brahmana, is associated with the Yajur Veda. It is one of the oldest and most important Brahmanas, providing detailed instructions for performing various Yajur Vedic rituals.

Conclusion:
In conclusion, all the given statements about Brahmanas are correct. The Brahmanas are indeed part of the Hindu sruti literature, each Veda has a Brahmana attached to it, and the Tandya Mahabrahmana accompanies the Yajur Veda. These texts play a crucial role in understanding and practicing the rituals and sacrifices mentioned in the Vedas, providing a deeper insight into the ancient Hindu religious practices.

Purana Kassapa
- Purana Kassapa was a prominent teacher in the Sramana movement in ancient Northern India.
- He taught that there is no virtue or sin, no merit or demerit, whatever one does.
- This philosophy suggests that actions do not have moral consequences or karmic implications.
- According to Purana Kassapa, there is no inherent value in any action, and individuals are free to do as they please without any ethical considerations.

Ajita Kesakambali
- Ajita Kesakambali was another influential figure in the Sramana movement.
- He taught a form of materialism, denying the existence of a future life or the concept of repeated rebirth.
- According to Ajita Kesakambali, there is no afterlife or continuation of consciousness beyond death.
- This viewpoint rejects the idea of karma and the cycle of birth and death, emphasizing the importance of living in the present and seeking enjoyment and pleasure in the material world.

Pakudha Kaccayana
- Pakudha Kaccayana was yet another teacher in the Sramana movement.
- He believed in the existence of stable and unproductive, independent primordial substances.
- These substances include earth, water, fire, air, joy, sorrow, and life.
- According to Pakudha Kaccayana, these substances are eternal and do not undergo any transformation or change.

Correct Answer
- The correct answer is option 'C' - 1, 2, and 3.
- All three statements are accurate representations of the teachings of Purana Kassapa, Ajita Kesakambali, and Pakudha Kaccayana, respectively.
- These teachings reflect the diversity of philosophical perspectives within the Sramana movement, which challenged orthodox Hindu beliefs and practices during ancient Northern India.

Banabhatta composed the Prayaga Prashasti (also known as the Allahabad pillar inscription).

The correct answer is option 'B' - 2, 3 and 4 only.

Explanation:

The Baudhayana Sutras are a collection of Vedic Sanskrit texts that date back to around the 6th century BCE. They are attributed to the ancient Indian sage Baudhayana. These sutras cover various aspects of ancient Indian society and contain knowledge in different fields. Let's discuss the topics covered by the Baudhayana Sutras:

1. Statecraft: The Baudhayana Sutras do not specifically focus on statecraft. Statecraft refers to the art of governing and managing a state or kingdom. While the Baudhayana Sutras may contain some general principles that can be applied to governance, they do not have a dedicated section on statecraft.

2. Dharma: Dharma, in the Indian context, refers to the moral and ethical principles that govern an individual's conduct and behavior. The Baudhayana Sutras indeed cover the topic of dharma. They provide guidelines for ethical living, social responsibilities, and rules for various aspects of life, including marriage, family, and society.

3. Daily ritual: The Baudhayana Sutras also contain information about daily rituals and religious practices. They provide detailed instructions for performing various rituals, including sacrifices, prayers, and worship. These rituals were an integral part of ancient Indian society and were believed to bring spiritual and material benefits.

4. Mathematics: The Baudhayana Sutras are well-known for their contributions to mathematics. They contain mathematical rules, procedures, and formulas for various calculations. Baudhayana's work in mathematics predates other famous mathematicians like Euclid and Pythagoras. Some of the mathematical concepts covered in the Baudhayana Sutras include geometry, algebra, arithmetic, and fractions.

In conclusion, the Baudhayana Sutras cover the topics of dharma, daily ritual, and mathematics. They do not specifically focus on statecraft. Therefore, the correct answer is option 'B' - 2, 3 and 4 only.

Explanation:

1. Introduction

The correct answer is option D, which states that neither of the statements is correct.

2. Explanation of the statements:

- Statement 1: The statement that Upanishads are generally the first part of the Vedas is incorrect. Upanishads are actually considered the concluding part of the Vedas. They are philosophical texts that explore the nature of reality, the self, and the ultimate truth.

- Statement 2: The statement that Upanishads are also called the Vedangas is incorrect. Vedangas are actually a different set of texts that are considered auxiliary to the study of the Vedas. They include subjects like phonetics, grammar, and ritual.

3. Conclusion

In conclusion, both statements are incorrect. Upanishads are not the first part of the Vedas but rather the concluding part, and they are not the same as Vedangas. It is important to have a clear understanding of these distinctions when studying Vedic literature.

Context of Kurukh Language
Kurukh is a tribal language that belongs to the Dravidian family, predominantly spoken by the Oraon tribe in India. It has faced challenges in terms of preservation and recognition.

Recent Developments
The language gained significant attention recently due to the following reasons:

• Official Language Status: The West Bengal Government officially recognized Kurukh as an official language. This recognition is crucial for the preservation and promotion of the language among the tribal communities in the region.

Other Options Explained
While the language's official recognition is positive, the other options presented in the question highlight the struggles Kurukh faces:

• Nearly Extinct: There are concerns regarding the survival of Kurukh, as it is spoken by a dwindling number of people. However, this statement was not the recent news, making it an incorrect choice.
• New Script: Although there have been discussions regarding the development of a new script for Kurukh, it was not the primary news relating to its recent recognition or status. Thus, this option is also not applicable.

Conclusion
In summary, the most significant recent development concerning the Kurukh language is its designation as an official language by the West Bengal Government. This step promises to enhance the language's visibility and encourage its use among younger generations, aiding in its preservation.

Correct answer: Option A - 1 and 2 only

Explanation:
The Brahmi script is one of the oldest writing systems used in the Indian subcontinent and Central Asia. Let us examine each statement to determine which ones are correct:

1. Brahmi is the oldest writing system used in the Indian subcontinent and Central Asia:
This statement is correct. The Brahmi script is considered one of the oldest writing systems in the world. It was used in ancient India, particularly during the Maurya Empire around the 3rd century BCE. It spread to other parts of the Indian subcontinent and Central Asia, influencing the development of various scripts and alphabets.

2. It is usually written from left to right:
This statement is correct. The Brahmi script is typically written from left to right, similar to most modern scripts. However, there have been instances of Brahmi inscriptions found where the writing direction is right to left or even boustrophedon (alternating directions).

3. It was deciphered in 1937 by James Prinsep:
This statement is incorrect. The decipherment of the Brahmi script is attributed to several scholars, but James Prinsep is not one of them. The decipherment of Brahmi was a gradual process that involved the combined efforts of several scholars over many years. The first significant breakthrough in deciphering Brahmi was made by James Princep's contemporary, Christian Lassen, in the early 19th century. However, it was mainly due to the work of James Princep, Alexander Cunningham, and others that Brahmi inscriptions were systematically studied and deciphered.

Therefore, the correct statements are 1 and 2 only.

The correct answer is option 'A' - 1 only.

Explanation:
The Dharmasutras and Dhannashastras were ancient texts in Hinduism that contained rules and guidelines for various aspects of society, including occupation and social status. These texts outlined the duties and responsibilities of individuals belonging to different varnas or social classes.

1. The Dharmasutras and Dhannashastras contained rules about the ideal occupations of the four varnas:

• The varna system, which formed the basis of the social structure in ancient India, divided society into four main varnas - Brahmins (priests and scholars), Kshatriyas (warriors and rulers), Vaishyas (merchants and farmers), and Shudras (laborers and servants).
• These texts prescribed specific occupations for individuals belonging to each varna, based on their inherent qualities and abilities. For example, Brahmins were expected to study and teach the Vedas, Kshatriyas were meant to protect the society and rule, Vaishyas were expected to engage in agriculture, trade, and animal husbandry, and Shudras were assigned menial tasks.
• The Dharmasutras and Dhannashastras provided detailed instructions on the duties, rituals, and conduct of individuals belonging to each varna. They emphasized the importance of performing one's prescribed occupation diligently and without seeking to change or move to a different varna.

2. Manusmriti held that no one could engage in agriculture and pastoralism apart from Kshatriyas:

• Manusmriti, also known as the Laws of Manu, is another ancient Hindu legal text that outlines social, moral, and legal principles. It was traditionally attributed to the sage Manu.
• While Manusmriti does mention the occupations of the different varnas, it does not explicitly state that only Kshatriyas can engage in agriculture and pastoralism. It does prescribe specific duties for each varna, but it does not restrict certain occupations to a particular varna.

In conclusion, statement 1 is correct as the Dharmasutras and Dhannashastras did contain rules about the ideal occupations of the four varnas. However, statement 2 is incorrect as Manusmriti does not hold that only Kshatriyas can engage in agriculture and pastoralism.

The correct answer is option 'D' - 1 Only.

Religion in the Vedic period was characterized by a polytheistic belief system centered around the worship of various gods and goddesses. The Vedic religion was based on the sacred texts known as the Vedas, which were composed during this period. Let's discuss each statement in detail:

1. There is evidence of female gods:
- The Vedic period saw the presence of female deities. Some prominent examples include Ushas (the goddess of dawn), Aditi (the mother goddess), Saraswati (the goddess of knowledge and learning), and Prithvi (the goddess of earth).
- These female deities were often associated with important aspects of life and nature, and they were revered and worshipped alongside their male counterparts.

2. Female gods were given equal status with male gods:
- While there is evidence of female deities in the Vedic period, it is important to note that they were not given equal status with male gods.
- The Vedic society was predominantly patriarchal, and the male deities were considered more powerful and significant.
- The hymns and rituals in the Vedas primarily focus on male gods, and their roles and attributes are given more prominence than those of the female deities.

3. There was idol worship prevalent during the period:
- Idol worship, as we understand it today, was not prevalent during the Vedic period.
- The Vedic religion emphasized ritualistic worship and sacrifices performed by priests known as the Brahmins.
- These rituals involved offerings of food, drink, and prayers to the gods, but they did not involve the use of physical idols or images.
- The focus was more on the internal and symbolic aspects of worship rather than external representations.

In conclusion, while there is evidence of female deities in the Vedic period, they were not given equal status with male gods. Idol worship, as understood in modern times, was not prevalent during this period. Therefore, option 'D' - 1 Only is the correct answer.

Brief Explanation:
The given statements are as follows:
1. Hitopadesh is written by Vishnu Sharma.
2. Fable, unlike the parable, features the human character.

The correct answer is option 'D', neither of them.

Explanation:
Let's analyze each statement one by one:

1. Hitopadesh is written by Vishnu Sharma:
This statement is incorrect. Hitopadesh, also known as Panchatantra, is a collection of ancient Indian fables that were written by Vishnu Sharma. It is a compilation of moral stories that teach valuable lessons through animal characters. Therefore, statement 1 is false.

2. Fable, unlike the parable, features the human character:
This statement is incorrect. A fable is a short story that uses animals or inanimate objects as characters to convey a moral lesson. On the other hand, a parable is a simple story that illustrates a moral or religious lesson and typically features human characters. Thus, statement 2 is also false.

Conclusion:
Both statements are incorrect. Hitopadesh is written by Vishnu Sharma, and fables do not necessarily feature human characters.

The author of the Sanskrit work 'Mattavilasa Prahasana' is Mahendravarman I.

The Mattavilasa Prahasana is a Sanskrit play that is known for its wit and humor. It is believed to have been written by Mahendravarman I, who was a ruler of the Pallava dynasty in South India. The play is set in the court of King Simhavarman III and revolves around the antics of a group of drunken characters.

Mahendravarman I:
- Mahendravarman I was a Pallava king who ruled from the late 6th century to the early 7th century CE.
- He was known for his patronage of the arts and literature, and he himself was a poet and playwright.
- Mahendravarman I was a staunch supporter of Sanskrit and encouraged the development of Sanskrit literature during his reign.

Contributions to Sanskrit Literature:
- The Mattavilasa Prahasana is one of the notable contributions of Mahendravarman I to Sanskrit literature.
- This play is considered a masterpiece of Sanskrit drama and is known for its clever dialogue and humorous situations.
- It reflects the social and cultural life of the Pallava period and provides insights into the courtly life and entertainment of that time.

Characteristics of the Play:
- The Mattavilasa Prahasana is a comedy play that satirizes various aspects of society, including politics, religion, and social customs.
- The main characters of the play are a group of drunkards who engage in witty banter and humorous situations.
- The play also incorporates elements of farce, with physical comedy and slapstick humor.

Significance:
- The Mattavilasa Prahasana is considered an important work in the history of Sanskrit drama.
- It showcases the literary and cultural achievements of the Pallava dynasty and their patronage of the arts.
- The play also provides valuable insights into the social and cultural life of ancient South India.

Overall, the Sanskrit work 'Mattavilasa Prahasana' is attributed to Mahendravarman I, a Pallava king known for his contributions to Sanskrit literature and his patronage of the arts. The play is a comedy that satirizes various aspects of society and is considered a masterpiece of Sanskrit drama.

Grammatical Structure of Indo Aryan Group and Dravidian Family

The grammatical structure of a language refers to the way in which words are organized and combined to form meaningful sentences. In the context of Indo Aryan and Dravidian languages, the grammatical structures differ from each other.

1. Grammatical structure of Indo Aryan group is agglutinative:
The statement that the grammatical structure of the Indo Aryan group is agglutinative is incorrect. Agglutinative languages are characterized by the attachment of morphemes, which are units of meaning, to a root word without changing the root word itself. These morphemes can indicate various grammatical features such as tense, number, and case.

However, the Indo Aryan languages, which are part of the larger Indo-European language family, are not primarily agglutinative. Instead, they exhibit a more fusional or inflectional grammatical structure. In inflectional languages, grammatical information is typically expressed through changes in the root word itself, rather than through the attachment of separate morphemes.

Examples of Indo Aryan languages include Hindi, Bengali, and Punjabi. These languages display inflectional features, such as verb conjugation, noun declension, and the use of case markers. For instance, in Hindi, the verb "to eat" can be conjugated as "khata hu" (I eat), "khata hai" (he/she eats), or "khate hai" (they eat), where the verb form changes to indicate the subject and tense.

2. Grammatical structure of the Dravidian family is infected:
The statement that the grammatical structure of the Dravidian family is infected is also incorrect. Inflectional languages, as mentioned earlier, involve changes in the root word to express grammatical information. On the other hand, infected languages are characterized by the use of affixes or prefixes to modify the root word and convey grammatical meaning.

Dravidian languages, such as Tamil, Telugu, and Kannada, exhibit an agglutinative grammatical structure. In these languages, affixes are added to the root word to indicate various grammatical features such as tense, number, case, and gender. For example, in Tamil, the word "padi" (read) can be modified with affixes to indicate past tense ("padithen" - I read), future tense ("padikiren" - I will read), or plural form ("padikirargal" - they read).

Conclusion:
In conclusion, neither of the statements provided is correct. The grammatical structure of the Indo Aryan group is inflectional, while the Dravidian family exhibits an agglutinative grammatical structure. Understanding the differences between these language families is crucial for studying their linguistic characteristics and cultural contexts.

Writings of Harappan People

Introduction:
The Harappan civilization, also known as the Indus Valley Civilization, was a Bronze Age civilization that existed from 3300 BCE to 1300 BCE in the northwestern region of the Indian subcontinent. One of the most intriguing aspects of this civilization is their script, which has not yet been deciphered. However, some information on the Harappan script has been gathered through archaeological findings.

Ideograms:
One of the ways in which the Harappans conveyed ideas through their script was by using ideograms. Ideograms are graphic symbols or characters that directly convey an idea. For example, a drawing of a person with a shovel could represent the concept of farming or digging.

Boustrophedonic Style:
The boustrophedonic style is a type of writing in which the text is written in alternating lines from left to right and right to left. Some inscriptions found in Harappan sites are thought to have followed this style. This is evident from the fact that the direction of the script changes after every line.

Left to Right Writing:
While some inscriptions follow the boustrophedonic style, others are thought to have been mostly written from left to right. This means that the text was written in a continuous line from left to right, without any changes in direction.

Conclusion:
In conclusion, the Harappan script remains undeciphered, but some information on it has been gathered through archaeological findings. The Harappans used ideograms to convey ideas directly, and some inscriptions followed the boustrophedonic style. However, others were written from left to right in a continuous line.

Dharma, Kama, and Moksha are important concepts in Hinduism and are frequently mentioned in the ancient Indian epic, Ramayana. Let's understand the correct match for each of these concepts:

1. Dharma - religion or righteousness:
- Dharma is a central concept in Hinduism and refers to one's moral and ethical duties, as well as the principles and values that govern one's behavior.
- In the context of Ramayana, dharma is portrayed through the character of Lord Rama, who upholds righteousness and follows his duty as a prince and later as a king.
- Rama's adherence to dharma is seen when he willingly accepts exile to fulfill his father's promise, his devotion to his wife Sita, and his commitment to protect the innocent and fight against evil.

2. Kama - achievements in the worldly sphere:
- Kama refers to the pursuit of desires and pleasures in the worldly sphere.
- In the context of Ramayana, kama is depicted through various characters and their desires. For example, Kaikeyi's desire for her son Bharata to become the king leads to the exile of Rama.
- The character of Ravana represents excessive kama, as he kidnaps Sita due to his desire for her beauty.
- However, the Ramayana also emphasizes the importance of controlling and channeling desires in accordance with dharma.

3. Moksha - liberation from worldly desires:
- Moksha is the ultimate goal of Hinduism, representing liberation from the cycle of birth and death and union with the divine.
- While the concept of moksha is not explicitly mentioned in the Ramayana, it is an underlying theme throughout the epic.
- The characters in the Ramayana strive for spiritual growth and enlightenment, seeking liberation from the material world and its attachments.
- Rama, as an incarnation of Lord Vishnu, is believed to embody the path to moksha, and his actions and teachings inspire others to seek spiritual liberation.

Therefore, the correct match for the concepts mentioned in the question would be:

1. Dharma - religion or righteousness
3. Moksha - liberation from the worldly desires

Hence, the correct answer is option 'D' - 1 and 3 only.

Introduction:
The father of Kannada literature is a title given to the person who is considered the pioneer and originator of the Kannada language. This individual played a crucial role in the development and growth of Kannada as a distinct language and literary tradition. Among the given options, the correct answer is option 'A', Pampa.

Explanation:
Pampa:
- Pampa, also known as Pampa Deva or Adikavi Pampa, is widely regarded as the father of Kannada literature.
- He was a renowned poet and writer who lived in the 10th century during the reign of the Western Chalukya dynasty.
- Pampa's most famous work is the epic poem "Vikramarjuna Vijaya" (also known as "Pampa Bharata" or "Pampa Ramayana").
- This poem is considered the earliest available epic in the Kannada language and is based on the story of the Hindu deity Rama.
- Pampa's literary contributions were significant in shaping the Kannada language and establishing it as a literary medium.

Other Options:
Ponna:
- Ponna was a prominent Kannada poet who lived during the 10th century.
- He is known for his epic poem "Shantipurana" and "Jainapurana," which are considered masterpieces in Kannada literature.
- While Ponna made notable contributions to Kannada literature, he is not referred to as the father of Kannada.

Ranna:
- Ranna was a well-known Kannada poet who lived during the 10th century.
- He is famous for his epic poem "Sahasa Bhima Vijaya," which narrates the adventures of the mythological hero Bhima.
- Ranna's works are highly regarded in Kannada literature, but he is not considered the father of Kannada.

Harishvara:
- Harishvara was a poet who lived during the 12th century.
- He composed the "Gadayuddha," an epic poem based on the Mahabharata.
- Harishvara's contributions to Kannada literature are significant, but he is not recognized as the father of Kannada.

Conclusion:
Among the given options, Pampa is known as the father of Kannada literature. His contributions to Kannada language and literature, particularly through his epic poem "Vikramarjuna Vijaya," are highly esteemed. Pampa's work played a crucial role in the development and promotion of Kannada as a distinct language and literary tradition.

Explanation:

Statement 1: Arunachal Pradesh finds mention in the literature of Kalika Purana and Mahabharata.
- The Kalika Purana is one of the eighteen Mahapuranas, a genre of ancient Indian texts. It is dedicated to the goddess Kali and provides information about various places of pilgrimage in India.
- The Mahabharata is an ancient Indian epic that narrates the story of the Kurukshetra War and the fates of the Kaurava and the Pandava princes. It contains descriptions of various regions and kingdoms of ancient India.
- Both the Kalika Purana and the Mahabharata mention Arunachal Pradesh, which indicates that it has a historical and cultural significance dating back to ancient times.

Statement 2: Bihar finds mention in the Vedas and Puranas.
- The Vedas are the oldest sacred texts of Hinduism, composed between 1500 and 500 BCE. They contain hymns, rituals, and philosophical teachings.
- The Puranas are a genre of ancient Indian texts that contain myths, legends, genealogies, and cosmology. They were composed between 300 and 1500 CE.
- Bihar is mentioned in both the Vedas and the Puranas, indicating its historical and cultural importance in ancient times.

Statement 3: Chhattisgarh, known as Dakshin-Kausal, finds mention in Ramayana and Mahabharata.
- The Ramayana is an ancient Indian epic that narrates the story of Prince Rama and his quest to rescue his wife Sita from the demon king Ravana. It provides descriptions of various regions and kingdoms of ancient India.
- The Mahabharata also mentions Chhattisgarh as Dakshin-Kausal, which indicates its presence and significance during the time period of the epic.

Conclusion:
All three statements are correct. Arunachal Pradesh is mentioned in the Kalika Purana and Mahabharata, Bihar is mentioned in the Vedas and Puranas, and Chhattisgarh is known as Dakshin-Kausal and finds mention in the Ramayana and Mahabharata. Therefore, the correct answer is option C.

The correct answer is option 'C' - Both of them.

Explanation:
Rajatarangini:
- Rajatarangini is a historical chronicle of the kings of Kashmir written by Kalhana, a Kashmiri historian, in the 12th century.
- It is considered one of the most important sources of information about the history and culture of Kashmir.
- Rajatarangini covers the history of Kashmir from ancient times to the 12th century, tracing the lineage of the kings and providing details about their reigns, achievements, and challenges.
- The work is divided into eight books, known as Tarangas, and includes narratives, legends, myths, and historical accounts.
- Rajatarangini is written in Sanskrit and is highly regarded for its literary and poetic qualities.

Katha Sarit Sagar:
- Katha Sarit Sagar, also known as the "Ocean of Stories," is a collection of Indian folktales compiled by Somadeva, a Kashmiri poet, in the 11th century.
- The work is written in Sanskrit and is a significant contribution to Indian literature and folklore.
- Katha Sarit Sagar consists of numerous stories with various themes, including love, adventure, morality, and supernatural elements.
- The stories are interconnected and often include multiple narratives within a single tale.
- The collection draws inspiration from earlier works such as the Panchatantra and the Jataka tales, but also includes original stories unique to Katha Sarit Sagar.
- The work has been translated into various languages and has influenced storytelling traditions across different cultures.

Conclusion:
Both Rajatarangini and Katha Sarit Sagar are associated with Kashmir. While Rajatarangini is a historical chronicle of the kings of Kashmir, Katha Sarit Sagar is a collection of Indian folktales compiled in Kashmir. Both works are significant contributions to Indian literature and provide insights into the history, culture, and storytelling traditions of the region.

Explanation:

The correct answer is option 'B' - 2 only.

Explanation of each statement:

1. Baba Guru Nanak did not believe in Hinduism and Islam, so he wished to establish a new religion, which he named Sikhism.
This statement is incorrect. Baba Guru Nanak did not reject either Hinduism or Islam. Instead, he sought to bridge the gap between the two religions and promote religious harmony. He emphasized the belief in one God and taught that all individuals, regardless of their religious background, could attain spiritual enlightenment through devotion and righteousness.

2. He rejected sacrifices, ritual baths, image worship, austerities and the scriptures.
This statement is correct. Baba Guru Nanak criticized the ritualistic practices and external forms of worship prevalent in his time. He emphasized the importance of inner devotion and the purity of heart over external rituals and ceremonies. He rejected the idea of sacrifices, ritual baths, idol worship, and excessive austerities as necessary for spiritual growth. Instead, he advocated for a direct and personal connection with God through meditation, selfless service, and living a righteous life.

3. He defined five symbols: uncut hair, a dagger, a pair of shorts, a comb and a steel bangle, which need to be worn by his followers.
This statement is incorrect. Baba Guru Nanak did not define these five symbols. The five symbols, also known as the Five Ks or Five Articles of Faith, were later established by Guru Gobind Singh, the tenth and final Sikh Guru. These symbols include Kesh (uncut hair), Kara (steel bangle), Kanga (comb), Kachera (a pair of shorts), and Kirpan (dagger). These symbols hold significant religious and cultural importance for Sikhs and are worn as a visible representation of their faith and commitment to Sikh values.

Conclusion:

In conclusion, statement 2 is correct as Baba Guru Nanak did reject certain ritualistic practices and external forms of worship. However, statements 1 and 3 are incorrect as he did not reject Hinduism and Islam or define the five symbols (Five Ks) himself.

Jain Agamas are a collection of religious texts that are considered sacred by the Jain community. These texts contain the teachings and principles of Jainism and are highly revered by Jain followers. In this question, we are given two statements about Jain Agamas and asked to identify which statement is not correct.

Statement 1: They are said to be originally compiled by the Gandharas.

The Gandharas were a group of people who were associated with the compilation and preservation of Jain texts. They were responsible for the oral transmission of the teachings of Lord Mahavira, the 24th Tirthankara of Jainism, and eventually compiled these teachings into written texts, which became known as the Jain Agamas. Therefore, statement 1 is correct.

Statement 2: This text is important for Digambaras.

Digambara is one of the two major sects of Jainism, the other being Svetambara. The Digambara sect believes in the complete nudity of monks and nuns and follows a more ascetic lifestyle. The Digambaras do not consider the Jain Agamas as their sacred texts. They believe that these texts were lost over time and only the essence of the teachings remains. Instead, they rely on commentaries and other scriptures for guidance. Therefore, statement 2 is incorrect.

Based on the analysis above, we can conclude that the correct answer is option B, i.e., statement 2 only is not correct. The Jain Agamas are indeed said to be originally compiled by the Gandharas, but they are not considered important texts by the Digambara sect. It is important to note that the Svetambara sect, on the other hand, considers the Jain Agamas as their primary scriptures and follows them diligently.

In summary, the Jain Agamas are a collection of sacred texts in Jainism, compiled by the Gandharas. While they hold great importance for the Svetambara sect, the Digambara sect does not consider them as their sacred texts.

• According to the Manusmriti, the paternal estate was to be divided equally amongst sons after the parents' death, with a special share for the eldest. Women could not claim a share of these resources.
• The Manusmriti laid down the 'duties' of the chandalas. They had to live outside the village, use discarded utensils and wear clothes of the dead and ornaments of iron.

Correct answer: a) Only 1 and 3

Explanation:
The Mudrarakshasa is a play written in Sanskrit by Vishakhadatta. It is an important historical drama that provides insights into the political events of ancient India. Let's analyze each statement to understand why options 1 and 3 are correct.

1. Mudrarakshasa was a play written in Sanskrit by Vishakhadatta:
This statement is correct. The Mudrarakshasa is indeed a play written in Sanskrit. It is considered one of the masterpieces of ancient Indian literature. The author of this play is Vishakhadatta, who was a renowned playwright of ancient India.

2. It was written during the Mauryan Period:
This statement is incorrect. The Mudrarakshasa was not written during the Mauryan Period. It was written in the 8th century CE, which is much later than the Mauryan Period. The Mauryan Period refers to the time when the Mauryan Empire, under the rule of Chandragupta Maurya and later his successors, was at its peak. This period is generally considered to have lasted from 322 BCE to 185 BCE.

3. It describes the overthrow of Nandas by Chandragupta Maurya:
This statement is correct. The Mudrarakshasa depicts the political events surrounding the overthrow of the Nanda dynasty by Chandragupta Maurya. It portrays the rise of Chandragupta Maurya, who later became the founder of the Mauryan Empire. The play highlights the strategic alliances, conspiracies, and power struggles that led to the downfall of the Nanda dynasty and the establishment of the Mauryan Empire.

In conclusion, only statements 1 and 3 are correct. The Mudrarakshasa is a play written in Sanskrit by Vishakhadatta, and it describes the overthrow of the Nandas by Chandragupta Maurya.

The correct answer is option A) 2 and 3.

During the time of the Mauryan Empire, which existed from 322 BCE to 185 BCE, two significant literary works were written - Arthashastra and Indica.

1. Arthashastra:
Arthashastra is an ancient Indian treatise on statecraft, economic policy, and military strategy. It was written by Kautilya, also known as Chanakya or Vishnugupta, who was a scholar and advisor to the Mauryan Emperor Chandragupta Maurya. The Arthashastra covers a wide range of topics related to governance, administration, economics, law, diplomacy, and warfare. It provides detailed instructions on how to establish and manage an efficient and prosperous kingdom. The work is considered one of the oldest and most comprehensive treatises on political science and governance.

2. Indica:
Indica is a historical and ethnographic account of India written by the Greek historian Megasthenes during his stay at the Mauryan court. Megasthenes was appointed as the ambassador of Seleucus I Nicator, the king of the Seleucid Empire, to the court of Chandragupta Maurya. In Indica, he provides valuable insights into the political, social, and cultural aspects of Mauryan India. The work describes the administration, economy, society, religion, and customs of the Mauryan Empire. Although the original text of Indica has been lost, fragments and references to it by later writers have provided a glimpse into the ancient Indian society.

3. Mudrarakshasa:
The Mudrarakshasa is a Sanskrit play written by Vishakhadatta, believed to have been composed in the 9th century CE. It is not directly associated with the Mauryan Empire as it is set during the time of the Nanda dynasty, which preceded the Mauryan Empire. The play depicts the clever political maneuvers and intrigues that took place during that period.

To summarize, the literature written during the time of the Mauryan Empire includes Arthashastra and Indica. These works provide valuable insights into the political, economic, and social aspects of ancient India under the Mauryan rule.

The correct answer is option A) concept of sine angle.

The Surya Siddhanta is an ancient Indian astronomical treatise that was composed in the early fifth and sixth century AD. It is one of the earliest works on Indian astronomy and has had a significant influence on the field. The Surya Siddhanta covers a wide range of topics related to astronomy, including the concept of sine angle.

- Introduction to the Surya Siddhanta:
The Surya Siddhanta is believed to have been written by ancient Indian astronomers and mathematicians. It is named after Surya, the Hindu Sun god, and Siddhanta, which means "treatise" or "principles". The text consists of several chapters that provide detailed explanations and calculations related to various astronomical phenomena.

- Importance of the Sine Angle:
The concept of the sine angle is a fundamental concept in trigonometry and mathematics. It is a ratio that relates the length of the side opposite an angle in a right triangle to the length of the hypotenuse. The sine angle is crucial for calculating distances, heights, and angles in various fields, including astronomy.

- Role of Sine Angle in Astronomy:
In astronomy, the concept of the sine angle is used extensively in calculations related to celestial objects. It helps determine the position, distance, and motion of celestial bodies, including the Sun, Moon, planets, and stars. By using the sine angle, astronomers can calculate the apparent size of objects in the sky, their positions at different times, and the angles at which they rise and set.

- Contribution of the Surya Siddhanta:
The Surya Siddhanta played a significant role in advancing the understanding and application of the sine angle in Indian astronomy. It provided detailed formulas and calculations for various astronomical phenomena, including the measurement of angles. The text presented the concept of the sine angle and its calculations in a systematic and mathematical manner, making it easier for astronomers to make accurate observations and predictions.

In conclusion, the Surya Siddhanta, composed in the early fifth and sixth century AD, was an influential work that dealt with various aspects of astronomy. One of its significant contributions was the introduction and explanation of the concept of the sine angle, which has had a profound impact on the field of astronomy and mathematics.