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Inspired by earlier artists but developed as a genre in its own right in the last few decades of the twentieth century, installation art is now recognized by academic institutions. It has long been seen as an example of ‘anti-establishment’ artwork, since it is typically created in public spaces and involves the use of ‘everyday’ materials, unlike conventional artwork that, even though usually meant for public consumption, is created in a private space. Installation art in contemporary times also uses emerging forms of artistic representation such as videos, social networks and aspects of virtual reality. This form of art, like traditional art, can be either realistic or abstract in its representation of reality.Straddling the boundaries between sculpture and painting, installation art gives more priority to the intention of the artist rather than the physical form or structure of the art: its purpose is often to relay a specific message through the medium chosen by the artist. Artists such as ‘Banksy’, known only by his pseudonym and famous for his street art that is meant as a caricature of political institutions, often use their art as a medium of socio-political activism.From the audience’s perspective, installation art also gives an unprecedented amount of importance to the viewer’s subjective perception of the artwork. The intention of the artist is therefore supplemented by the way in which viewers perceive the artwork. This vision of art overturns the traditional Platonic view of image theory, which gives the form and intention of the artwork far more predominance than external perspectives on the work. There are no ‘ideal’ forms in the creation and exhibition of installation art. This attribute is as it should be: art, after all, requires both an artist and an audience in order to flourish, and nowhere is this creator-viewer relationship more prominent than in the study and appreciation of installation art, which embraces the flawed and fragmented nature of reality.The author’s reference to Banksy serves primarily toa)give an example of contemporary artists who often use pseudonyms.b)establish that contemporary art often criticizes political organizations.c)prove that caricatures can also be categorized as legitimate art.d)illustrate how street art forms a well-known part of installation art.e)to exemplify the use of installation art to convey messagesCorrect answer is option 'E'. Can you explain this answer? for GMAT 2024 is part of GMAT preparation. The Question and answers have been prepared according to the GMAT exam syllabus. Information about Inspired by earlier artists but developed as a genre in its own right in the last few decades of the twentieth century, installation art is now recognized by academic institutions. It has long been seen as an example of ‘anti-establishment’ artwork, since it is typically created in public spaces and involves the use of ‘everyday’ materials, unlike conventional artwork that, even though usually meant for public consumption, is created in a private space. Installation art in contemporary times also uses emerging forms of artistic representation such as videos, social networks and aspects of virtual reality. This form of art, like traditional art, can be either realistic or abstract in its representation of reality.Straddling the boundaries between sculpture and painting, installation art gives more priority to the intention of the artist rather than the physical form or structure of the art: its purpose is often to relay a specific message through the medium chosen by the artist. Artists such as ‘Banksy’, known only by his pseudonym and famous for his street art that is meant as a caricature of political institutions, often use their art as a medium of socio-political activism.From the audience’s perspective, installation art also gives an unprecedented amount of importance to the viewer’s subjective perception of the artwork. The intention of the artist is therefore supplemented by the way in which viewers perceive the artwork. This vision of art overturns the traditional Platonic view of image theory, which gives the form and intention of the artwork far more predominance than external perspectives on the work. There are no ‘ideal’ forms in the creation and exhibition of installation art. This attribute is as it should be: art, after all, requires both an artist and an audience in order to flourish, and nowhere is this creator-viewer relationship more prominent than in the study and appreciation of installation art, which embraces the flawed and fragmented nature of reality.The author’s reference to Banksy serves primarily toa)give an example of contemporary artists who often use pseudonyms.b)establish that contemporary art often criticizes political organizations.c)prove that caricatures can also be categorized as legitimate art.d)illustrate how street art forms a well-known part of installation art.e)to exemplify the use of installation art to convey messagesCorrect answer is option 'E'. Can you explain this answer? covers all topics & solutions for GMAT 2024 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Inspired by earlier artists but developed as a genre in its own right in the last few decades of the twentieth century, installation art is now recognized by academic institutions. It has long been seen as an example of ‘anti-establishment’ artwork, since it is typically created in public spaces and involves the use of ‘everyday’ materials, unlike conventional artwork that, even though usually meant for public consumption, is created in a private space. Installation art in contemporary times also uses emerging forms of artistic representation such as videos, social networks and aspects of virtual reality. This form of art, like traditional art, can be either realistic or abstract in its representation of reality.Straddling the boundaries between sculpture and painting, installation art gives more priority to the intention of the artist rather than the physical form or structure of the art: its purpose is often to relay a specific message through the medium chosen by the artist. Artists such as ‘Banksy’, known only by his pseudonym and famous for his street art that is meant as a caricature of political institutions, often use their art as a medium of socio-political activism.From the audience’s perspective, installation art also gives an unprecedented amount of importance to the viewer’s subjective perception of the artwork. The intention of the artist is therefore supplemented by the way in which viewers perceive the artwork. This vision of art overturns the traditional Platonic view of image theory, which gives the form and intention of the artwork far more predominance than external perspectives on the work. There are no ‘ideal’ forms in the creation and exhibition of installation art. This attribute is as it should be: art, after all, requires both an artist and an audience in order to flourish, and nowhere is this creator-viewer relationship more prominent than in the study and appreciation of installation art, which embraces the flawed and fragmented nature of reality.The author’s reference to Banksy serves primarily toa)give an example of contemporary artists who often use pseudonyms.b)establish that contemporary art often criticizes political organizations.c)prove that caricatures can also be categorized as legitimate art.d)illustrate how street art forms a well-known part of installation art.e)to exemplify the use of installation art to convey messagesCorrect answer is option 'E'. Can you explain this answer?.

Solutions for Inspired by earlier artists but developed as a genre in its own right in the last few decades of the twentieth century, installation art is now recognized by academic institutions. It has long been seen as an example of ‘anti-establishment’ artwork, since it is typically created in public spaces and involves the use of ‘everyday’ materials, unlike conventional artwork that, even though usually meant for public consumption, is created in a private space. Installation art in contemporary times also uses emerging forms of artistic representation such as videos, social networks and aspects of virtual reality. This form of art, like traditional art, can be either realistic or abstract in its representation of reality.Straddling the boundaries between sculpture and painting, installation art gives more priority to the intention of the artist rather than the physical form or structure of the art: its purpose is often to relay a specific message through the medium chosen by the artist. Artists such as ‘Banksy’, known only by his pseudonym and famous for his street art that is meant as a caricature of political institutions, often use their art as a medium of socio-political activism.From the audience’s perspective, installation art also gives an unprecedented amount of importance to the viewer’s subjective perception of the artwork. The intention of the artist is therefore supplemented by the way in which viewers perceive the artwork. This vision of art overturns the traditional Platonic view of image theory, which gives the form and intention of the artwork far more predominance than external perspectives on the work. There are no ‘ideal’ forms in the creation and exhibition of installation art. This attribute is as it should be: art, after all, requires both an artist and an audience in order to flourish, and nowhere is this creator-viewer relationship more prominent than in the study and appreciation of installation art, which embraces the flawed and fragmented nature of reality.The author’s reference to Banksy serves primarily toa)give an example of contemporary artists who often use pseudonyms.b)establish that contemporary art often criticizes political organizations.c)prove that caricatures can also be categorized as legitimate art.d)illustrate how street art forms a well-known part of installation art.e)to exemplify the use of installation art to convey messagesCorrect answer is option 'E'. Can you explain this answer? in English & in Hindi are available as part of our courses for GMAT. Download more important topics, notes, lectures and mock test series for GMAT Exam by signing up for free.

Here you can find the meaning of Inspired by earlier artists but developed as a genre in its own right in the last few decades of the twentieth century, installation art is now recognized by academic institutions. It has long been seen as an example of ‘anti-establishment’ artwork, since it is typically created in public spaces and involves the use of ‘everyday’ materials, unlike conventional artwork that, even though usually meant for public consumption, is created in a private space. Installation art in contemporary times also uses emerging forms of artistic representation such as videos, social networks and aspects of virtual reality. This form of art, like traditional art, can be either realistic or abstract in its representation of reality.Straddling the boundaries between sculpture and painting, installation art gives more priority to the intention of the artist rather than the physical form or structure of the art: its purpose is often to relay a specific message through the medium chosen by the artist. Artists such as ‘Banksy’, known only by his pseudonym and famous for his street art that is meant as a caricature of political institutions, often use their art as a medium of socio-political activism.From the audience’s perspective, installation art also gives an unprecedented amount of importance to the viewer’s subjective perception of the artwork. The intention of the artist is therefore supplemented by the way in which viewers perceive the artwork. This vision of art overturns the traditional Platonic view of image theory, which gives the form and intention of the artwork far more predominance than external perspectives on the work. There are no ‘ideal’ forms in the creation and exhibition of installation art. This attribute is as it should be: art, after all, requires both an artist and an audience in order to flourish, and nowhere is this creator-viewer relationship more prominent than in the study and appreciation of installation art, which embraces the flawed and fragmented nature of reality.The author’s reference to Banksy serves primarily toa)give an example of contemporary artists who often use pseudonyms.b)establish that contemporary art often criticizes political organizations.c)prove that caricatures can also be categorized as legitimate art.d)illustrate how street art forms a well-known part of installation art.e)to exemplify the use of installation art to convey messagesCorrect answer is option 'E'. Can you explain this answer? defined & explained in the simplest way possible. Besides giving the explanation of Inspired by earlier artists but developed as a genre in its own right in the last few decades of the twentieth century, installation art is now recognized by academic institutions. It has long been seen as an example of ‘anti-establishment’ artwork, since it is typically created in public spaces and involves the use of ‘everyday’ materials, unlike conventional artwork that, even though usually meant for public consumption, is created in a private space. Installation art in contemporary times also uses emerging forms of artistic representation such as videos, social networks and aspects of virtual reality. This form of art, like traditional art, can be either realistic or abstract in its representation of reality.Straddling the boundaries between sculpture and painting, installation art gives more priority to the intention of the artist rather than the physical form or structure of the art: its purpose is often to relay a specific message through the medium chosen by the artist. Artists such as ‘Banksy’, known only by his pseudonym and famous for his street art that is meant as a caricature of political institutions, often use their art as a medium of socio-political activism.From the audience’s perspective, installation art also gives an unprecedented amount of importance to the viewer’s subjective perception of the artwork. The intention of the artist is therefore supplemented by the way in which viewers perceive the artwork. This vision of art overturns the traditional Platonic view of image theory, which gives the form and intention of the artwork far more predominance than external perspectives on the work. There are no ‘ideal’ forms in the creation and exhibition of installation art. This attribute is as it should be: art, after all, requires both an artist and an audience in order to flourish, and nowhere is this creator-viewer relationship more prominent than in the study and appreciation of installation art, which embraces the flawed and fragmented nature of reality.The author’s reference to Banksy serves primarily toa)give an example of contemporary artists who often use pseudonyms.b)establish that contemporary art often criticizes political organizations.c)prove that caricatures can also be categorized as legitimate art.d)illustrate how street art forms a well-known part of installation art.e)to exemplify the use of installation art to convey messagesCorrect answer is option 'E'. Can you explain this answer?, a detailed solution for Inspired by earlier artists but developed as a genre in its own right in the last few decades of the twentieth century, installation art is now recognized by academic institutions. It has long been seen as an example of ‘anti-establishment’ artwork, since it is typically created in public spaces and involves the use of ‘everyday’ materials, unlike conventional artwork that, even though usually meant for public consumption, is created in a private space. Installation art in contemporary times also uses emerging forms of artistic representation such as videos, social networks and aspects of virtual reality. This form of art, like traditional art, can be either realistic or abstract in its representation of reality.Straddling the boundaries between sculpture and painting, installation art gives more priority to the intention of the artist rather than the physical form or structure of the art: its purpose is often to relay a specific message through the medium chosen by the artist. Artists such as ‘Banksy’, known only by his pseudonym and famous for his street art that is meant as a caricature of political institutions, often use their art as a medium of socio-political activism.From the audience’s perspective, installation art also gives an unprecedented amount of importance to the viewer’s subjective perception of the artwork. The intention of the artist is therefore supplemented by the way in which viewers perceive the artwork. This vision of art overturns the traditional Platonic view of image theory, which gives the form and intention of the artwork far more predominance than external perspectives on the work. There are no ‘ideal’ forms in the creation and exhibition of installation art. This attribute is as it should be: art, after all, requires both an artist and an audience in order to flourish, and nowhere is this creator-viewer relationship more prominent than in the study and appreciation of installation art, which embraces the flawed and fragmented nature of reality.The author’s reference to Banksy serves primarily toa)give an example of contemporary artists who often use pseudonyms.b)establish that contemporary art often criticizes political organizations.c)prove that caricatures can also be categorized as legitimate art.d)illustrate how street art forms a well-known part of installation art.e)to exemplify the use of installation art to convey messagesCorrect answer is option 'E'. Can you explain this answer? has been provided alongside types of Inspired by earlier artists but developed as a genre in its own right in the last few decades of the twentieth century, installation art is now recognized by academic institutions. It has long been seen as an example of ‘anti-establishment’ artwork, since it is typically created in public spaces and involves the use of ‘everyday’ materials, unlike conventional artwork that, even though usually meant for public consumption, is created in a private space. Installation art in contemporary times also uses emerging forms of artistic representation such as videos, social networks and aspects of virtual reality. This form of art, like traditional art, can be either realistic or abstract in its representation of reality.Straddling the boundaries between sculpture and painting, installation art gives more priority to the intention of the artist rather than the physical form or structure of the art: its purpose is often to relay a specific message through the medium chosen by the artist. Artists such as ‘Banksy’, known only by his pseudonym and famous for his street art that is meant as a caricature of political institutions, often use their art as a medium of socio-political activism.From the audience’s perspective, installation art also gives an unprecedented amount of importance to the viewer’s subjective perception of the artwork. The intention of the artist is therefore supplemented by the way in which viewers perceive the artwork. This vision of art overturns the traditional Platonic view of image theory, which gives the form and intention of the artwork far more predominance than external perspectives on the work. There are no ‘ideal’ forms in the creation and exhibition of installation art. This attribute is as it should be: art, after all, requires both an artist and an audience in order to flourish, and nowhere is this creator-viewer relationship more prominent than in the study and appreciation of installation art, which embraces the flawed and fragmented nature of reality.The author’s reference to Banksy serves primarily toa)give an example of contemporary artists who often use pseudonyms.b)establish that contemporary art often criticizes political organizations.c)prove that caricatures can also be categorized as legitimate art.d)illustrate how street art forms a well-known part of installation art.e)to exemplify the use of installation art to convey messagesCorrect answer is option 'E'. Can you explain this answer? theory, EduRev gives you an ample number of questions to practice Inspired by earlier artists but developed as a genre in its own right in the last few decades of the twentieth century, installation art is now recognized by academic institutions. It has long been seen as an example of ‘anti-establishment’ artwork, since it is typically created in public spaces and involves the use of ‘everyday’ materials, unlike conventional artwork that, even though usually meant for public consumption, is created in a private space. Installation art in contemporary times also uses emerging forms of artistic representation such as videos, social networks and aspects of virtual reality. This form of art, like traditional art, can be either realistic or abstract in its representation of reality.Straddling the boundaries between sculpture and painting, installation art gives more priority to the intention of the artist rather than the physical form or structure of the art: its purpose is often to relay a specific message through the medium chosen by the artist. Artists such as ‘Banksy’, known only by his pseudonym and famous for his street art that is meant as a caricature of political institutions, often use their art as a medium of socio-political activism.From the audience’s perspective, installation art also gives an unprecedented amount of importance to the viewer’s subjective perception of the artwork. The intention of the artist is therefore supplemented by the way in which viewers perceive the artwork. This vision of art overturns the traditional Platonic view of image theory, which gives the form and intention of the artwork far more predominance than external perspectives on the work. There are no ‘ideal’ forms in the creation and exhibition of installation art. This attribute is as it should be: art, after all, requires both an artist and an audience in order to flourish, and nowhere is this creator-viewer relationship more prominent than in the study and appreciation of installation art, which embraces the flawed and fragmented nature of reality.The author’s reference to Banksy serves primarily toa)give an example of contemporary artists who often use pseudonyms.b)establish that contemporary art often criticizes political organizations.c)prove that caricatures can also be categorized as legitimate art.d)illustrate how street art forms a well-known part of installation art.e)to exemplify the use of installation art to convey messagesCorrect answer is option 'E'. 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