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How did British industrialization lead to de-industrialization in some part of India?
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How did British industrialization lead to de-industrialization in some...
British Industrialization and De-industrialization in India


The British Industrial Revolution had a profound impact on the Indian economy. There were both positive and negative effects of British industrialization on India. While it helped to modernize India's economy, it also led to the de-industrialization of some parts of the country. Here's how:


Introduction of Machine-made Goods



  • British industrialization led to the production of machine-made goods that were cheaper and of better quality.

  • This meant that Indian handicrafts, which had been the mainstay of the Indian economy, could not compete with the cheaper and better-quality British goods.

  • The British began to flood the Indian market with their machine-made goods, which led to the decline of Indian handicrafts.



Loss of Employment Opportunities



  • The decline of Indian handicrafts led to the loss of employment opportunities for millions of Indian artisans and craftsmen.

  • These people who had been employed in the handicraft sector had no other skills and were left with no means of livelihood.

  • Their economic condition deteriorated, and they were forced to migrate to other parts of the country in search of work.



Impact on Agriculture



  • The decline of Indian handicrafts also had an impact on agriculture.

  • Many farmers who had been engaged in the production of raw materials for the handicraft industry found themselves without a market for their goods.

  • This led to the decline of agriculture in some parts of the country.



Conclusion


In conclusion, British industrialization had a significant impact on the Indian economy. While it helped to modernize the economy, it also led to the de-industrialization of some parts of the country. The decline of Indian handicrafts led to the loss of employment opportunities and had an impact on agriculture. The legacy of British industrialization can still be seen in the Indian economy today, where the country is still struggling to achieve economic parity with the developed world.
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How did British industrialization lead to de-industrialization in some...
Some of the causes of de-industrialisation in India during that period were:

• Introduction of machine made goods in the Indian subcontinent at a cheaper rate, which led to the destruction of the traditional textile industry of India.

• Tariff policy opted by the British led to the decay of the handicraft industry, the British government started using preferential trade policies under which British goods were entering in India duty free or no nominal duty payment while Indian exporters had to pay high duty on export goods to British Mainland.

• Internal Causes, as there were no efforts made to explore products for the Indian markets, the international trade market was in the control of international traders, the manually skilled laborers and traders associated with it were at the pity of the international trade merchants as far as supply or demand propagation in international trade markets was concerned. The guilds or craftsmen organization was also definitely very weak in India as compared to other nations.

• Changes in social conditions that resulted in consistent decline in manufacturing employment that requires access to raw materials and natural resources.[15]

• British rule establishment also resulted in the loss of powers of the craftsmen organization and other bodies that used to supervise and regulate the trade, which results in the fall down of raw materials as well as the skilled laborers which further results in the decline of market value of the products

• The abolition of court culture and urban aristocrats resulted in decreased demand for these handicrafts as product demand for these dried up.
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Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. Thomas Jones Barker painted which famous painting?

Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. Henry Laurence along with the Christian population took refuge in the heavily fortified Residency because

Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. After the death of Lawrence, the Residency was defended under the command of

Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. In the painting "Relief of Lucknow", the figures of horses in the middle ground emphasise the fact that

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How did British industrialization lead to de-industrialization in some part of India?
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