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Humanities/Arts Exam  >  Humanities/Arts Questions  >  Where did Gilgamesh return to after a heroic ... Start Learning for Free
Where did Gilgamesh return to after a heroic attempt?
  • a)
    Ur
  • b)
    Nippur
  • c)
    Uruk
  • d)
    Balawat
Correct answer is option 'C'. Can you explain this answer?
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Where did Gilgamesh return to after a heroic attempt?a)Urb)Nippurc)Uru...
After a heroic attempt, Gilgamesh failed and returned to Uruk.
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Where did Gilgamesh return to after a heroic attempt?a)Urb)Nippurc)Uru...
Return to Uruk
After a heroic attempt to seek immortality, Gilgamesh returned to his city of Uruk. This was the place where he ruled as a king and where his adventures had begun. Uruk was a thriving city-state in ancient Mesopotamia, known for its impressive walls and temples.

Significance of Returning to Uruk
Returning to Uruk symbolized Gilgamesh's acceptance of his mortality and his acknowledgment of the importance of his role as a king. It also marked the completion of his journey and his growth as a character.

Themes in Gilgamesh's Return to Uruk
- Acceptance of mortality: By returning to Uruk, Gilgamesh accepted that he could not achieve immortality and embraced his human limitations.
- Fulfillment of duty: As a king, Gilgamesh had a responsibility to his people in Uruk, and his return signified his commitment to fulfilling his duties.
- Growth and transformation: Throughout his adventures, Gilgamesh underwent a transformation, gaining wisdom and humility. His return to Uruk reflected his growth as a character.

Conclusion
In conclusion, Gilgamesh's return to Uruk after his heroic attempt was a significant moment in the epic. It represented his acceptance of mortality, fulfillment of duty, and growth as a character. Uruk was not just a physical location for Gilgamesh but a symbol of his identity as a king and a reminder of his place in the world.
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Read the following extract carefully and answer the following question by choosing the correct option:Mesopotamians valued city life in which people of many communities and cultures live side by side. After cities were destroyed in war, they recorded them in poetry.The most ignorant reminder to us of the pride Mesopotamians took in their City came at the end of Gilgamesh Epic, which was written on twelve tablets. Gilgamesh is said to have ruled the city of Uruk sometime after Enmerkar. A great hero who subdued people far and wide, he got a shock when his heroic friend died. He then set out to find the secret of immorality, crossing the water that surrounds the world. After a heroic attempt Gilgamesh failed and returned to Uruk. There he consoled himself by walking along the city wall, back and forth. He admired the foundation made of fired bricks that he had put into place. It is on the city wall of Uruk that the long tail of heroism and endeavour fizzles out. Gilgamesh does not say that even though he would die his sons would outlive him, as a tribal hero would have done. He takes consolidation in the city that his people had built.Q. Who wrote the Epic of Gilgamesh?

Read the following extract carefully and answer the following question by choosing the correct option:Mesopotamians valued city life in which people of many communities and cultures live side by side. After cities were destroyed in war, they recorded them in poetry.The most ignorant reminder to us of the pride Mesopotamians took in their City came at the end of Gilgamesh Epic, which was written on twelve tablets. Gilgamesh is said to have ruled the city of Uruk sometime after Enmerkar. A great hero who subdued people far and wide, he got a shock when his heroic friend died. He then set out to find the secret of immorality, crossing the water that surrounds the world. After a heroic attempt Gilgamesh failed and returned to Uruk. There he consoled himself by walking along the city wall, back and forth. He admired the foundation made of fired bricks that he had put into place. It is on the city wall of Uruk that the long tail of heroism and endeavour fizzles out. Gilgamesh does not say that even though he would die his sons would outlive him, as a tribal hero would have done. He takes consolidation in the city that his people had built.Choose the correct option:Assertion (

Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. After the death of Lawrence, the Residency was defended under the command of

Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. Thomas Jones Barker painted which famous painting?

Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. British accounts saw the siege of Lucknow as

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Where did Gilgamesh return to after a heroic attempt?a)Urb)Nippurc)Urukd)BalawatCorrect answer is option 'C'. Can you explain this answer?
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