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Who is attributed to the painting Noah’s Ark, from a dispersed Divan-i Hafiz painted manuscript of 1590?
  • a)
    Miskin
  • b)
    Abul Fazl
  • c)
    Badauni
  • d)
    None of the above
Correct answer is option 'A'. Can you explain this answer?
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Who is attributed to the painting Noah’s Ark, from a dispersed D...
Noah’s Ark, from a dispersed Divan-i Hafiz painted manuscript of 1590, is an excellent painting in subdued colour palette and has been ascribed to Miskin, one of the masters at Akbar’s imperial atelier.
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Who is attributed to the painting Noah’s Ark, from a dispersed D...
Attribution of the painting Noah's Ark
Noah's Ark painting from a dispersed Divan-i Hafiz painted manuscript of 1590 is attributed to Miskin.

Explanation
- The painting of Noah's Ark is part of a dispersed Divan-i Hafiz painted manuscript from 1590.
- Miskin is the artist attributed to creating this particular painting within the manuscript.
- Miskin was known for his intricate and detailed illustrations, particularly in the manuscript tradition.
- The painting of Noah's Ark is a significant artwork that showcases Miskin's talent and skill in depicting religious narratives.
- The painting reflects the story of Noah's Ark from the Bible and the Quran, showing the ark with animals and figures in a stylized and artistic manner.
- The manuscript as a whole is a valuable example of the art and culture of the time period, with Miskin's contribution being a standout piece within it.
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Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. Thomas Jones Barker painted which famous painting?

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Who is attributed to the painting Noah’s Ark, from a dispersed Divan-i Hafiz painted manuscript of 1590?a)Miskinb)Abul Fazlc)Badaunid)None of the aboveCorrect answer is option 'A'. Can you explain this answer?
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