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When did John Lawrence move his council to Simla?
  • a)
    1861
  • b)
    1867
  • c)
    1864
  • d)
    1860
Correct answer is option 'C'. Can you explain this answer?
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When did John Lawrence move his council to Simla?a)1861b)1867c)1864d)1...
John Lawrence moved his council to Simla in 1864.

Reasons for the move:
- The hot and humid climate of Calcutta made it difficult to conduct official business during the summer months.
- Simla, located in the foothills of the Himalayas, offered a cooler and more pleasant climate.
- The British had already established a summer retreat in Simla, and it had become a popular destination for British officials and their families.

Impact of the move:
- The move to Simla helped improve the efficiency of the British administration in India, as officials were able to work more comfortably and productively during the summer months.
- Simla also became a center of political and social life for the British in India, with a thriving social scene and the construction of new buildings and infrastructure.
- However, the move also had negative consequences, as it further separated the British rulers from the Indian people, who were largely excluded from the social and political life of Simla.

Overall, John Lawrence's decision to move his council to Simla was an important event in the history of British rule in India, with far-reaching consequences for the administration and society of colonial India.
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Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. Henry Laurence along with the Christian population took refuge in the heavily fortified Residency because

Directions: Please read the passage and answer the questions that follow:British pictures offer a variety of images that were meant to provoke a range of different emotions and reactions.Some of them commemorate the British heroes who saved the English and repressed the rebels. "Relief of Lucknow", painted by Thomas Jones Barker in 1859, is an example of this type. When the rebel forces besieged Lucknow, Henry Lawrence, the Commissioner of Lucknow, collected the Christian population and took refuge in the heavily fortified Residency.Lawrence was killed but the Residency continued to be defended under the command of Colonel Inglis. On 25 September James Outram and Henry Havelock arrived, cut through the rebel forces, and reinforced the British garrisons. Twenty days later Colin Campbell, who was appointed as the new Commander of British forces in India, came with his forces and rescued the besieged British garrison. In British accounts the siege of Lucknow became a story of survival, heroic resistance and the ultimate triumph of British power. Barkers painting celebrated the moment of Campbells entry. At the centre of the canvas are the British heroes -Campbell, Outram and Havelock. The gestures of the hands of those around lead the spectators eyes towards the centre. The heroes stand on a ground that is well lit, with shadows in the foreground and tire damaged Residency in the background.Tire dead and injured in the foreground are testimony to the suffering during the siege, while the triumphant figures of horses in the middle ground emphasise the fact that British power and control had been reestablished. To the British public such paintings were reassuring. They created a sense that the time of trouble was past and the rebellion was over; the British were the victors.Q. After the death of Lawrence, the Residency was defended under the command of

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When did John Lawrence move his council to Simla?a)1861b)1867c)1864d)1860Correct answer is option 'C'. Can you explain this answer?
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