Put your fingers on the throat and you will find a hard bump that seems to move when you swallow. what is a this part of the body called?

Explore Courses UPSC Exam UPSC Test Series Free Notes EduRev Infinity

Open App

UPSC Exam > UPSC Questions > Put your fingers on the throat and you will f...

Join for Free

Join for Free

Most Upvoted Answer

Put your fingers on the throat and you will find a hard bump that seem...

The Adam's Apple
The hard bump that you feel in your throat when you put your fingers on it is called the Adam's Apple. It is also known as the laryngeal prominence. This prominent feature is more prominent in males compared to females.

Location and Structure
The Adam's Apple is located in the front of the neck, specifically in the area of the larynx. It is made up of the thyroid cartilage, which is the largest cartilage in the larynx. The size of the Adam's Apple can vary from person to person, and it tends to be more prominent in males due to the effects of testosterone during puberty.

Function
The primary function of the Adam's Apple is to protect the vocal cords and the structures of the larynx. It also plays a role in vocal production and manipulation of pitch while speaking or singing. When you swallow, the Adam's Apple moves up and down along with the larynx to facilitate the passage of food and liquids into the esophagus.

Significance
The size of the Adam's Apple can be an indicator of the individual's gender, with males typically having a more prominent Adam's Apple than females. In some cultures, a visible Adam's Apple is considered a masculine trait. However, it is important to note that the size of the Adam's Apple does not necessarily correlate with vocal ability or pitch range.
In conclusion, the Adam's Apple is a prominent feature in the neck that serves a protective function for the vocal cords and plays a role in vocal production. Its size and visibility can vary among individuals, with males typically having a more pronounced Adam's Apple compared to females.

Answered by Notes Wala · View profile

View all answers Start learning for free

Explore Courses for UPSC exam

Similar UPSC Doubts

Read the information given below carefully and answer the following question.The fossil remains of the first flying vertebrates, the pterosaurs, have intrigued palaeontologists for more than two centuries. How such large creatures, which weighed in some cases as much as a piloted hang-glider and had wingspans from 8 to 12 meters, solved the problems of powered flight, and exactly what these creatures were reptiles or birds are among the question’s scientists have puzzled over.Perhaps the least controversial assertion about the pterosaurs is that they were reptiles. Their skulls, pelvises, and hind feet are reptilian. The anatomy of their wings suggests that they did not evolve into the class of birds. In pterosaurs a greatly elongated fourth finger of each forelimb supported a wing-like membrane. The other fingers were short and reptilian, with sharp claws. In birds the second finger is the principal strut of the wing, which consists primarily of feathers. If the pterosaurs walked on all fours, the three short fingers may have been employed for grasping. When a pterosaur walked or remained stationary, the fourth finger, and with it the wing, could only turn upward in anextended inverted V-shape along each side of the animal’s body.The pterosaurs resembled both birds and bats in their overall structure and proportions. This is not surprising because the design of any flying vertebrate is subject to aerodynamic constraints. Both the pterosaurs and the birds have hollow bones, a feature that represents a savings in weight. In the birds, however, these bones are reinforced more massively by internal struts.Although scales typically cover reptiles, the pterosaurs probably had hairy coats. T. H. Huxley reasoned that flying vertebrates must have been warm-blooded because flying implies a high rate of metabolism, which in turn implies a high internal temperature. Huxley speculated that a coat of hair would insulate against loss of body heat and might streamline the body to reduce drag in flight. The recent discovery of a pterosaur specimen covered in long, dense, and relatively thick hair like fossil material was the first clear evidence that his reasoning was correct.Efforts to explain how the pterosaurs became airborne have led to suggestions that they launched themselves by jumping from cliffs, by dropping from trees, or even by rising into light winds from the crests of waves. Each hypothesis has its difficulties. The first wrongly assumes that the pterosaurs’ hind feet resembled a bat ‘s and could serve as hooks by which the animal could hang in preparation for flight. The second hypothesis seems unlikely because large pterosaurs could not have landed in treeswithout damaging their wings. The third calls for high waves to channel updrafts. The wind that made such waves however, might have been too strong for the pterosaurs to control their flight once airborne.Q.He author views the idea that the pterosaurs became airborne by rising into light winds created by waves as

View answer

The fossil remains of the first flying vertebrates, the pterosaurs, have intrigued palaeontologists for more than two centuries. How such large creatures, which weighed in some cases as much as a piloted hang-glider and had wingspans from 8 to 12 meters, solved the problems of powered flight, and exactly what these creatures were reptiles or birds are among the question’s scientists have puzzled over.Perhaps the least controversial assertion about the pterosaurs is that they were reptiles. Their skulls, pelvises, and hind feet are reptilian. The anatomy of their wings suggests that they did not evolve into the class of birds. In pterosaurs a greatly elongated fourth finger of each forelimb supported a wing-like membrane. The other fingers were short and reptilian, with sharp claws. In birds the second finger is the principal strut of the wing, which consists primarily of feathers. If the pterosaurs walked on all fours, the three short fingers may have been employed for grasping. When a pterosaur walked or remained stationary, the fourth finger, and with it the wing, could only turn upward in anextended inverted V-shape along each side of the animal’s body.The pterosaurs resembled both birds and bats in their overall structure and proportions. This is not surprising because the design of any flying vertebrate is subject to aerodynamic constraints. Both the pterosaurs and the birds have hollow bones, a feature that represents a savings in weight. In the birds, however, these bones are reinforced more massively by internal struts.Although scales typically cover reptiles, the pterosaurs probably had hairy coats. T. H. Huxley reasoned that flying vertebrates must have been warm-blooded because flying implies a high rate of metabolism, which in turn implies a high internal temperature. Huxley speculated that a coat of hair would insulate against loss of body heat and might streamline the body to reduce drag in flight. The recent discovery of a pterosaur specimen covered in long, dense, and relatively thick hair like fossil material was the first clear evidence that his reasoning was correct.Efforts to explain how the pterosaurs became airborne have led to suggestions that they launched themselves by jumping from cliffs, by dropping from trees, or even by rising into light winds from the crests of waves. Each hypothesis has its difficulties. The first wrongly assumes that the pterosaurs’ hind feet resembled a bat ‘s and could serve as hooks by which the animal could hang in preparation for flight. The second hypothesis seems unlikely because large pterosaurs could not have landed in treeswithout damaging their wings. The third calls for high waves to channel updrafts. The wind that made such waves however, might have been too strong for the pterosaurs to control their flight once airborne.Q.According to the passage, the skeleton of a pterosaur can be distinguished from that of a bird by the

View answer

Read the information given below carefully and answer the following question.The fossil remains of the first flying vertebrates, the pterosaurs, have intrigued palaeontologists for more than two centuries. How such large creatures, which weighed in some cases as much as a piloted hang-glider and had wingspans from 8 to 12 meters, solved the problems of powered flight, and exactly what these creatures were reptiles or birds are among the question’s scientists have puzzled over.Perhaps the least controversial assertion about the pterosaurs is that they were reptiles. Their skulls, pelvises, and hind feet are reptilian. The anatomy of their wings suggests that they did not evolve into the class of birds. In pterosaurs a greatly elongated fourth finger of each forelimb supported a wing-like membrane. The other fingers were short and reptilian, with sharp claws. In birds the second finger is the principal strut of the wing, which consists primarily of feathers. If the pterosaurs walked on all fours, the three short fingers may have been employed for grasping. When a pterosaur walked or remained stationary, the fourth finger, and with it the wing, could only turn upward in anextended inverted V-shape along each side of the animal’s body.The pterosaurs resembled both birds and bats in their overall structure and proportions. This is not surprising because the design of any flying vertebrate is subject to aerodynamic constraints. Both the pterosaurs and the birds have hollow bones, a feature that represents a savings in weight. In the birds, however, these bones are reinforced more massively by internal struts.Although scales typically cover reptiles, the pterosaurs probably had hairy coats. T. H. Huxley reasoned that flying vertebrates must have been warm-blooded because flying implies a high rate of metabolism, which in turn implies a high internal temperature. Huxley speculated that a coat of hair would insulate against loss of body heat and might streamline the body to reduce drag in flight. The recent discovery of a pterosaur specimen covered in long, dense, and relatively thick hair like fossil material was the first clear evidence that his reasoning was correct.Efforts to explain how the pterosaurs became airborne have led to suggestions that they launched themselves by jumping from cliffs, by dropping from trees, or even by rising into light winds from the crests of waves. Each hypothesis has its difficulties. The first wrongly assumes that the pterosaurs’ hind feet resembled a bat ‘s and could serve as hooks by which the animal could hang in preparation for flight. The second hypothesis seems unlikely because large pterosaurs could not have landed in treeswithout damaging their wings. The third calls for high waves to channel updrafts. The wind that made such waves however, might have been too strong for the pterosaurs to control their flight once airborne.Q.It can be inferred from the passage that scientists now generally agree that the

View answer

"Popular art" has a number of meanings, impossible to define with any precision, which range from folklore to junk. The poles are clear enough, but the middle tends to blur. The Hollywood Western of the 1930‘s, for example, has elements of folklore, but is closer to junk than to high art or folk art. The case of Giuseppe Verdi is an interesting one: he took a popular genre, bourgeois melodrama set to music and, without altering its fundamental nature, transmuted it into high art. This remains one of the greatest achievements in music, and one that cannot be fully appreciated without recognizing the essential trashiness of the genre. As an example of such a transmutation, consider what Verdi made of the typical political elements of nineteenth-century opera. Generally, in the plots of these operas, a hero or heroine— usually portrayed only as an individual, unfettered by class—is caught between the immoral corruption of the aristocracy and the doctrinaire rigidity or secret greed of the leaders of the proletariat. Verdi transforms this naive and unlikely formulation with music of extraordinary energy and rhythmic vitality, music more subtle than it seems at first hearing. There are scenes and arias that still sound like calls to arms and were clearly understood as such when they were first performed. Such pieces lend an immediacy to the otherwise veiled political message of these operas and call up feelings beyond those of the opera itself. Or consider Verdi’s treatment of character. Before Verdi, there were rarely any characters at all in musical drama, only a series of situations which allowed the singers to express a series of emotional states. Any attempt to find coherent psychological portrayal in these operas is misplaced ingenuity. The only coherence was the singer’s vocal technique.Q. According to the passage, the immediacy of the political message in Verdi’s operas stems from the

View answer

"Popular art" has a number of meanings, impossible to define with any precision, which range from folklore to junk. The poles are clear enough, but the middle tends to blur. The Hollywood Western of the 1930‘s, for example, has elements of folklore, but is closer to junk than to high art or folk art. The case of Giuseppe Verdi is an interesting one: he took a popular genre, bourgeois melodrama set to music and, without altering its fundamental nature, transmuted it into high art. This remains one of the greatest achievements in music, and one that cannot be fully appreciated without recognizing the essential trashiness of the genre. As an example of such a transmutation, consider what Verdi made of the typical political elements of nineteenth-century opera. Generally, in the plots of these operas, a hero or heroine— usually portrayed only as an individual, unfettered by class—is caught between the immoral corruption of the aristocracy and the doctrinaire rigidity or secret greed of the leaders of the proletariat. Verdi transforms this naive and unlikely formulation with music of extraordinary energy and rhythmic vitality, music more subtle than it seems at first hearing. There are scenes and arias that still sound like calls to arms and were clearly understood as such when they were first performed. Such pieces lend an immediacy to the otherwise veiled political message of these operas and call up feelings beyond those of the opera itself. Or consider Verdi’s treatment of character. Before Verdi, there were rarely any characters at all in musical drama, only a series of situations which allowed the singers to express a series of emotional states. Any attempt to find coherent psychological portrayal in these operas is misplaced ingenuity. The only coherence was the singer’s vocal technique.Q. According to the passage, all of the following characterize musical drama before Verdi EXCEPT

View answer

Top Courses for UPSCView all

Current Affairs & Hindu Analysis: Daily, Weekly & Monthly

Lucent for GK

History for UPSC CSE

Indian Polity for UPSC CSE

CSAT Preparation

Top Courses for UPSC

View all

Put your fingers on the throat and you will find a hard bump that seems to move when you swallow. what is a this part of the body called?

Share with a Friend

Answer this doubt

Question Description
Put your fingers on the throat and you will find a hard bump that seems to move when you swallow. what is a this part of the body called? for UPSC 2025 is part of UPSC preparation. The Question and answers have been prepared according to the UPSC exam syllabus. Information about Put your fingers on the throat and you will find a hard bump that seems to move when you swallow. what is a this part of the body called? covers all topics & solutions for UPSC 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Put your fingers on the throat and you will find a hard bump that seems to move when you swallow. what is a this part of the body called?.

Solutions for Put your fingers on the throat and you will find a hard bump that seems to move when you swallow. what is a this part of the body called? in English & in Hindi are available as part of our courses for UPSC. Download more important topics, notes, lectures and mock test series for UPSC Exam by signing up for free.

Here you can find the meaning of Put your fingers on the throat and you will find a hard bump that seems to move when you swallow. what is a this part of the body called? defined & explained in the simplest way possible. Besides giving the explanation of Put your fingers on the throat and you will find a hard bump that seems to move when you swallow. what is a this part of the body called?, a detailed solution for Put your fingers on the throat and you will find a hard bump that seems to move when you swallow. what is a this part of the body called? has been provided alongside types of Put your fingers on the throat and you will find a hard bump that seems to move when you swallow. what is a this part of the body called? theory, EduRev gives you an ample number of questions to practice Put your fingers on the throat and you will find a hard bump that seems to move when you swallow. what is a this part of the body called? tests, examples and also practice UPSC tests.

Explore Courses for UPSC exam