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Verbal Exam  >  Verbal Questions  >  Q. The sun __________ in the east. (rise)a)Is... Start Learning for Free
Q. The sun __________ in the east. (rise)

  • a)
    Is rising

  • b)
    Rise

  • c)
    Rises

  • d)
    None of these

Correct answer is option 'C'. Can you explain this answer?
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Verified Answer
Q. The sun __________ in the east. (rise)a)Is risingb)Risec)Risesd)Non...
"Rises" Is the correct answer. 

Rule: As it is the universal truth, rises is used. But at the same time, sun is singular noun, and so the singular verb rises is used. 
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Q. The sun __________ in the east. (rise)a)Is risingb)Risec)Risesd)Non...
Answer:

Introduction:
The given sentence is in the simple present tense and talks about a regular or habitual action. In this sentence, we have to fill in the blank with the correct form of the verb 'rise' which will indicate the present tense and agree with the subject 'sun'.

Explanation:
The verb 'rise' is an irregular verb, and its forms in the present tense are:
- I/You/We/They rise
- He/She/It rises

As the subject 'sun' is third-person singular, we will use the form 'rises' to agree with it. Therefore, the correct answer is option 'C' - Rises.

Usage of present simple tense:
The present simple tense is used to describe actions that are habitual, factual, or general truths. It is also used to describe scheduled events in the future and in some conditional sentences. In this sentence, the present simple tense is used to describe a habitual action of the sun rising in the east every day.

Conclusion:
In conclusion, the correct form of the verb to be used in the given sentence is 'rises' as it agrees with the subject 'sun' and indicates the present tense. The present simple tense is used to describe habitual actions, and in this sentence, it describes the regular action of the sun rising in the east.
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Community Answer
Q. The sun __________ in the east. (rise)a)Is risingb)Risec)Risesd)Non...
What is preasent simple
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In all battles two things are usually required of the Commander-in-Chief: to make a good plan for his army and to keep a strong reserve. Both of these are also obligatory for the painter. To make a plan, thorough reconnaissance of the country where the battle is to be fought is needed. Its fields, its mountains, its rivers, its bridges, its trees, its flowers, its atmosphereall require and repay attentive observation from a special point of view.I think this is one of the chief delights that have come to me through painting. No doubt many people who are lovers of art have acquired it to a high degree without actually practicing. But I expect that nothing will make one observe more quickly or more thoroughly than having to face the difficulty of representing the thing observed. And mind you, if you do observe accurately and with refinement, and if you do record what you have seen with tolerable correspondence, the result follows on the canvas with startling obedience.But in order to make his plan, the General must not only reconnoitre the battle-ground; he must also study the achievements of the great Captains of the past. He must bring the observations he has collected in the field into comparison with the treatment of similar incidents by famous chiefs.Considering this fact, the galleries of Europe take on a newand to me at least a severely practical interest. You see the difficulty that baffled you yesterday; and you see how easily it has been overcome by a great or even by a skilful painter. Not only is your observation of Nature sensibly improved and developed, but also your comprehension of the masterpieces of art.But it is in the use and withholding of their reserves that the great commanders have generally excelled. After all, when once the last reserve has been thrown in, the commanders part is played. If that does not win the battle, he has nothing else to give. Everything must be left to luck and to the fighting troops. But these last reserves, in the absence of high direction, are apt to get into sad confusion, all mixed together in a nasty mess, without order or planand consequently without effect. Mere masses count no more. The largest brush, the brightest colours cannot even make an impression. The pictorial battlefield becomes a sea of mud mercifully veiled by the fog of war. Even though the General plunges in himself and emerges bespattered, as he sometimes does, he will not retrieve the day. In painting, the reserves consist in Proportion or Relation. And it is here that the art of the painter marches along the road which is traversed by all the greatest harmonies in thought. At one side of the palette there is white, at the other black; and neither is ever used neat. Between these two rigid limits all the action must lie, all the power required must be generated. Black and white themselves placed in juxtaposition make no great impression; and yet they are the most that you can do in pure contrast. Directions: Read the above paragraph and answer the followingQ.As the author creates the analogy between war and painting in the passage, the Commander-in-Chief is to the battleground as the

In all battles two things are usually required of the Commander-in-Chief: to make a good plan for his army and to keep a strong reserve. Both of these are also obligatory for the painter. To make a plan, thorough reconnaissance of the country where the battle is to be fought is needed. Its fields, its mountains, its rivers, its bridges, its trees, its flowers, its atmosphereall require and repay attentive observation from a special point of view.I think this is one of the chief delights that have come to me through painting. No doubt many people who are lovers of art have acquired it to a high degree without actually practicing. But I expect that nothing will make one observe more quickly or more thoroughly than having to face the difficulty of representing the thing observed. And mind you, if you do observe accurately and with refinement, and if you do record what you have seen with tolerable correspondence, the result follows on the canvas with startling obedience.But in order to make his plan, the General must not only reconnoitre the battle-ground; he must also study the achievements of the great Captains of the past. He must bring the observations he has collected in the field into comparison with the treatment of similar incidents by famous chiefs.Considering this fact, the galleries of Europe take on a newand to me at least a severely practical interest. You see the difficulty that baffled you yesterday; and you see how easily it has been overcome by a great or even by a skilful painter. Not only is your observation of Nature sensibly improved and developed, but also your comprehension of the masterpieces of art.But it is in the use and withholding of their reserves that the great commanders have generally excelled. After all, when once the last reserve has been thrown in, the commanders part is played. If that does not win the battle, he has nothing else to give. Everything must be left to luck and to the fighting troops. But these last reserves, in the absence of high direction, are apt to get into sad confusion, all mixed together in a nasty mess, without order or planand consequently without effect. Mere masses count no more. The largest brush, the brightest colours cannot even make an impression. The pictorial battlefield becomes a sea of mud mercifully veiled by the fog of war. Even though the General plunges in himself and emerges bespattered, as he sometimes does, he will not retrieve the day. In painting, the reserves consist in Proportion or Relation. And it is here that the art of the painter marches along the road which is traversed by all the greatest harmonies in thought. At one side of the palette there is white, at the other black; and neither is ever used neat. Between these two rigid limits all the action must lie, all the power required must be generated. Black and white themselves placed in juxtaposition make no great impression; and yet they are the most that you can do in pure contrast. Directions: Read the above paragraph and answer the followingQ.The authors statement But [the fighting troops], in the absence of high direction, are apt to get into sad confusion, all mixed together in a nasty mess, without order or planand consequently without effectassumes that

Q. The sun __________ in the east. (rise)a)Is risingb)Risec)Risesd)None of theseCorrect answer is option 'C'. Can you explain this answer?
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Q. The sun __________ in the east. (rise)a)Is risingb)Risec)Risesd)None of theseCorrect answer is option 'C'. Can you explain this answer? for Verbal 2025 is part of Verbal preparation. The Question and answers have been prepared according to the Verbal exam syllabus. Information about Q. The sun __________ in the east. (rise)a)Is risingb)Risec)Risesd)None of theseCorrect answer is option 'C'. Can you explain this answer? covers all topics & solutions for Verbal 2025 Exam. Find important definitions, questions, meanings, examples, exercises and tests below for Q. The sun __________ in the east. (rise)a)Is risingb)Risec)Risesd)None of theseCorrect answer is option 'C'. Can you explain this answer?.
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